Without Copyrights reveals the impact of copyright law on transatlantic modernism in the United States. Key aspects of modernism James Joyce's reputation in America, Ezra Pound's proposals for copyright reform, Samuel Roth's activities as a pirate-pornographer are re-examined in the light of the U.S. law and the voracious public domain it created.
Without Copyrights reveals the impact of copyright law on transatlantic modernism in the United States. Key aspects of modernism James Joyce's reputation in America, Ezra Pound's proposals for copyright reform, Samuel Roth's activities as a pirate-pornographer are re-examined in the light of the U.S. law and the voracious public domain it created.
Robert Spoo is Chapman Distinguished Chair in Law at the University of Tulsa College of Law.
Inhaltsangabe
* Introduction * Chapter 1: "The American Public Domain and the Courtesy of the Trade in the Nineteenth Century" * Chapter 2: "Transatlantic Modernism and the American Public Domain." * Chapter 3: "Ezra Pound's Copyright Statute: Perpetual Rights and Unfair Competition with the Dead." * Chapter 4: "James Joyce's Ulysses and American Copyright Protectionism." * Chapter 5: "James Joyce v. Samuel Roth and Two Worlds Publishing Company." * Chapter 6: "The 1934 Random House Ulysses: Copyright and Trade Courtesy. * Epilogue
* Introduction * Chapter 1: "The American Public Domain and the Courtesy of the Trade in the Nineteenth Century" * Chapter 2: "Transatlantic Modernism and the American Public Domain." * Chapter 3: "Ezra Pound's Copyright Statute: Perpetual Rights and Unfair Competition with the Dead." * Chapter 4: "James Joyce's Ulysses and American Copyright Protectionism." * Chapter 5: "James Joyce v. Samuel Roth and Two Worlds Publishing Company." * Chapter 6: "The 1934 Random House Ulysses: Copyright and Trade Courtesy. * Epilogue
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