In Wit's Treasury, Stephen Orgel, one of our foremost interpreters of Renaissance literature and culture, charts how the conflict between Christian principles and classical manners and morals yielded the rich creative tension out of which emerged an unprecedented flowering of English drama, lyric, and the arts.
In Wit's Treasury, Stephen Orgel, one of our foremost interpreters of Renaissance literature and culture, charts how the conflict between Christian principles and classical manners and morals yielded the rich creative tension out of which emerged an unprecedented flowering of English drama, lyric, and the arts.
Stephen Orgel is Jackson Eli Reynolds Professor in the Humanities Emeritus at Stanford University. His most recent books are The Reader in the Book and Spectacular Performances. He is a member of the American Academy of Arts and Sciences and the Associazione Sigismondo Malatesta. In 2017 he was awarded an honorary doctorate by the University of Venice.
Inhaltsangabe
Acknowledgments A Note on Quotations Chapter 1. Classicizing England Chapter 2. The Uses of Prosody Chapter 3. The Sound of Classical Chapter 4. What Classical Looks Like Chapter 5. From Black Letter to Roman Chapter 6. Staging the Classical Chapter 7. Looking Backward Coda Notes Bibliography Index
Acknowledgments A Note on Quotations Chapter 1. Classicizing England Chapter 2. The Uses of Prosody Chapter 3. The Sound of Classical Chapter 4. What Classical Looks Like Chapter 5. From Black Letter to Roman Chapter 6. Staging the Classical Chapter 7. Looking Backward Coda Notes Bibliography Index
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