This book examines contemporary "Cinderella" fairy tale adaptations to argue that the traditionally passive princess has been updated for the 21st century. Using wokeness as a theoretical lens, it analyzes the "Cinderella" story's potentiality as a social gauge for how we construe gender, sex, agency, and power.
This book examines contemporary "Cinderella" fairy tale adaptations to argue that the traditionally passive princess has been updated for the 21st century. Using wokeness as a theoretical lens, it analyzes the "Cinderella" story's potentiality as a social gauge for how we construe gender, sex, agency, and power.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Suzy Woltmann - Contributions by Camille S. Alexander; Rachel L. Carazo; Christine Case; Brittany Eldridge; Ryan Habermeyer; Loraine Haywood; Svea Hundertmark; Christian Jiminez; Alexandra Lykissas; Carolina Alves Magdali; Sarah E. Maier; Lucas
Inhaltsangabe
Preface: Cinderella and Wokeness by Suzy Woltmann Part I: Girl Power: Feminist and Queer Readings Chapter 1: Gen Z Cinder(f)ellas: Girl Powered Gender Adaptations in the A Cinderella Story Films by Sarah E. Maier and Jessica Raven Chapter 2: "With this Shoe I Thee Wed": Cinderella as Agent of the Backlash in The Devil Wears Prada (2006) and Sex and the City (2008) by Aoileann Ni 'Eigeartaigh Chapter 3: "Have Courage and be Kind": The Emancipatory Potential of 21st Century Fairy Tale Adaptations of "Cinderella" by Svea Hundertmark Chapter 4: Two Centuries of Queer Horizon: Rodgers and Hammerstein's Cinderella by Christine Case Part II: (Re)Production: A Classic Tale Told Anew Chapter 5: Queen of the Ashes: Daenerys Targaryen, Cinderella of the Apocalypse, and Her Mirror Prince, in Game of Thrones by Loraine Haywood Chapter 6: Forgive me Mother for I have Sinned: Cinderella's Stepmother meets Derrida's Forgiveness by Brittany Eldridge Chapter 7: Tiana Just Isn't Woke: Reassessing the "Cinderella" Narrative in Disney's The Princess and the Frog by Camille S. Alexander Chapter 8: Predestination or the Rediscovery of Agency by Christian Jiminez Chapter 9: Deaf Cinderella: The Construction of a Woke Cultural Identity by Carolina Alves Magaldi and Lucas Alves Mendes Part III: Post-Human and Post-Truth Cinderellas Chapter 10: Dragons, Magical Objects, and Posthuman Social Criticism: Rethinking the Cinderella Trope in Tui T. Sutherland's The Lost Heir by Rachel L. Carazo Chapter 11: Cyborg-erella: Marissa Meyer's Cinder as a New Type of Other by Alexandra Lykissas Chapter 12: Once Upon a Time in Occupied France: Inglourious Basterds, Cinderella and Post-Truth Politics by Ryan Habermeyer Conclusion: A Postmodern Princess:Rhetorical Strategies of Contemporary "Cinderella" Adaptations by Suzy Woltmann
Preface: Cinderella and Wokeness by Suzy Woltmann Part I: Girl Power: Feminist and Queer Readings Chapter 1: Gen Z Cinder(f)ellas: Girl Powered Gender Adaptations in the A Cinderella Story Films by Sarah E. Maier and Jessica Raven Chapter 2: "With this Shoe I Thee Wed": Cinderella as Agent of the Backlash in The Devil Wears Prada (2006) and Sex and the City (2008) by Aoileann Ni 'Eigeartaigh Chapter 3: "Have Courage and be Kind": The Emancipatory Potential of 21st Century Fairy Tale Adaptations of "Cinderella" by Svea Hundertmark Chapter 4: Two Centuries of Queer Horizon: Rodgers and Hammerstein's Cinderella by Christine Case Part II: (Re)Production: A Classic Tale Told Anew Chapter 5: Queen of the Ashes: Daenerys Targaryen, Cinderella of the Apocalypse, and Her Mirror Prince, in Game of Thrones by Loraine Haywood Chapter 6: Forgive me Mother for I have Sinned: Cinderella's Stepmother meets Derrida's Forgiveness by Brittany Eldridge Chapter 7: Tiana Just Isn't Woke: Reassessing the "Cinderella" Narrative in Disney's The Princess and the Frog by Camille S. Alexander Chapter 8: Predestination or the Rediscovery of Agency by Christian Jiminez Chapter 9: Deaf Cinderella: The Construction of a Woke Cultural Identity by Carolina Alves Magaldi and Lucas Alves Mendes Part III: Post-Human and Post-Truth Cinderellas Chapter 10: Dragons, Magical Objects, and Posthuman Social Criticism: Rethinking the Cinderella Trope in Tui T. Sutherland's The Lost Heir by Rachel L. Carazo Chapter 11: Cyborg-erella: Marissa Meyer's Cinder as a New Type of Other by Alexandra Lykissas Chapter 12: Once Upon a Time in Occupied France: Inglourious Basterds, Cinderella and Post-Truth Politics by Ryan Habermeyer Conclusion: A Postmodern Princess:Rhetorical Strategies of Contemporary "Cinderella" Adaptations by Suzy Woltmann
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