This collection of specially commissioned chapters examines the influential argument that pictorial representation is about 'seeing-in', in particular as found in the work of Richard Wollheim. Essential reading for students and scholars of aesthetics and philosophy of art as well as related subjects such as philosophy of mind and art theory.
This collection of specially commissioned chapters examines the influential argument that pictorial representation is about 'seeing-in', in particular as found in the work of Richard Wollheim. Essential reading for students and scholars of aesthetics and philosophy of art as well as related subjects such as philosophy of mind and art theory.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gary Kemp is Senior Lecturer in Philosophy at the University of Glasgow, UK. He is the author of Quine versus Davidson: Truth, Reference and Meaning (2012), and What is this thing called Philosophy of Language? (Routledge, 2013). Gabriele M. Mras is Associate Professor of Philosophy at the WU Vienna, Austria. Her writings include Naturalismus, Reduktion und die Bedingungen von Gedanken (2002) and Wahrheit, Gedanke, Subjekt (2001), and she is co-editor of Conceptus: Journal of Philosophy.
Inhaltsangabe
Introduction Gary Kemp and Gabriele M. Mras Part 1: Wittgenstein and Seeing-as 1. The Room in a View Charles Travis Part 2: Difficulties with Wollheim's Borrowing from Wittgenstein 2. Seeing Aspects and Telling Stories about It Joachim Schulte 3. Aspects of Perception Avner Baz 4. Aspect-perception, Perception and Animals: Wittgenstein and Beyond Hans-Johann Glock 5. Wittgenstein's Seeing as: A Survey of Various Contexts Volker A. Munz Part 3: Benefits from Wollheim's Borrowing from Wittgenstein 6. Leonardo's Challenge: Wittgenstein and Wollheim at the Intersection of Perception and Projection Garry L. Hagberg 7. 'Surface' as an Expression of an Intention - On Richard Wollheim's Conception of Art as a Form of Life Gabriele M. Mras 8. Richard Wollheim on Seeing-In: From Representational Seeing to Imagination Richard Heinrich Part 4: Rescuing Wollheim's Account without the Support of Wittgenstein 9. A measure of Kant seen in Wollheim Gary Kemp 10. Seeing-In as Aspect Perception Fabian Dorsch Part 5: Imagination and Emotion in Wollheim's Account of Pictorial Experience 11. Wollheim's Ekphrastic Aesthetics: Emotion and its Relation to Art Michael Levine 12. Visions: Wollheim and Walton on the Nature of Pictures David Hills. Index
Introduction Gary Kemp and Gabriele M. Mras Part 1: Wittgenstein and Seeing-as 1. The Room in a View Charles Travis Part 2: Difficulties with Wollheim's Borrowing from Wittgenstein 2. Seeing Aspects and Telling Stories about It Joachim Schulte 3. Aspects of Perception Avner Baz 4. Aspect-perception, Perception and Animals: Wittgenstein and Beyond Hans-Johann Glock 5. Wittgenstein's Seeing as: A Survey of Various Contexts Volker A. Munz Part 3: Benefits from Wollheim's Borrowing from Wittgenstein 6. Leonardo's Challenge: Wittgenstein and Wollheim at the Intersection of Perception and Projection Garry L. Hagberg 7. 'Surface' as an Expression of an Intention - On Richard Wollheim's Conception of Art as a Form of Life Gabriele M. Mras 8. Richard Wollheim on Seeing-In: From Representational Seeing to Imagination Richard Heinrich Part 4: Rescuing Wollheim's Account without the Support of Wittgenstein 9. A measure of Kant seen in Wollheim Gary Kemp 10. Seeing-In as Aspect Perception Fabian Dorsch Part 5: Imagination and Emotion in Wollheim's Account of Pictorial Experience 11. Wollheim's Ekphrastic Aesthetics: Emotion and its Relation to Art Michael Levine 12. Visions: Wollheim and Walton on the Nature of Pictures David Hills. Index
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