Womanist and Black Feminist Responses to Tyler Perry's Productions
Herausgegeben:Manigault-Bryant, L.; Lomax, T.; Duncan, C.
Womanist and Black Feminist Responses to Tyler Perry's Productions
Herausgegeben:Manigault-Bryant, L.; Lomax, T.; Duncan, C.
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Tyler Perry has made over half a billion dollars through the development of storylines about black women, black communities and black religion. Yet, a text that responds to his efforts from the perspective of these groups does not exist.
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Tyler Perry has made over half a billion dollars through the development of storylines about black women, black communities and black religion. Yet, a text that responds to his efforts from the perspective of these groups does not exist.
Produktdetails
- Produktdetails
- Black Religion/Womanist Thought/Social Justice
- Verlag: Palgrave Macmillan / Palgrave Macmillan US / Springer Palgrave Macmillan
- Artikelnr. des Verlages: 978-1-137-42955-1
- 2014 edition
- Seitenzahl: 277
- Erscheinungstermin: 2. Juli 2014
- Englisch
- Abmessung: 218mm x 147mm x 25mm
- Gewicht: 491g
- ISBN-13: 9781137429551
- ISBN-10: 1137429550
- Artikelnr.: 41081775
- Black Religion/Womanist Thought/Social Justice
- Verlag: Palgrave Macmillan / Palgrave Macmillan US / Springer Palgrave Macmillan
- Artikelnr. des Verlages: 978-1-137-42955-1
- 2014 edition
- Seitenzahl: 277
- Erscheinungstermin: 2. Juli 2014
- Englisch
- Abmessung: 218mm x 147mm x 25mm
- Gewicht: 491g
- ISBN-13: 9781137429551
- ISBN-10: 1137429550
- Artikelnr.: 41081775
Lisa Allen, Interdenominational Theological Center, USA Brittney Cooper, Rutgers, USA Joy James, Williams College, USA Nyasha Junior, Howard University, USA Cheryl A. Kirk-Duggan, Shaw University, USA Robert J. Patterson, Georgetown University, USA Whitney Peoples, Emory University, USA T. Denean Sharpley-Whiting, Vanderbilt University, USA Yolande M. S. Tomlinson, Emory University, USA Emilie M. Townes, Vanderbilt University, USA Andrea C. White, Emory University, USA Terrion L. Williamson, Michigan State University, USA
Foreword; Emilie M. Townes Introduction; LeRhonda S. Manigault-Bryant, Tamura Lomax, and Duncan Part I: Filmography Part II: Theology, Spirituality and Black Popular Religious Imaginations 1: Tyler Perry Reads Scripture; Nyasha Junior 2: Signifying Love and Embodied Relationality: Towards a Womanist Theological Anthropology; Cheryl A. Kirk-Duggan 3: Jesus Will Fix It, After While: The Purpose and Role of Gospel Music in Tyler Perry Productions; Lisa Allen-McLaurin 4: Screening God; Andrea C. White Part III: Theorizing Intersecting Identities and (Re)Envisioning Black Womanhood 5: A People That Would Take Care of Ourselves: Tyler Perry's Vision of Community and Gender Relations; Yolande M.S. Tomlinson 6: It aint where you comin' from, honey: Class, Social Mobility and Marriage in Tyler Perry's Madea's Family Reunion; Carol B. Duncan 7: Mad Black Bitches and Lady-like Saints: Representations of African American Women in Tyler Perry Films; Tamura A. Lomax 8: (Re)Mediating Black Womanhood: Tyler Perry, Black Feminist Cultural Criticism and the Politics of Appropriation; Whitney Peoples Part IV: The Politics of Performance 9: Pause, Auntie Momma!: Reading Religion in Tyler Perry's Fat Drag; LeRhonda S. Manigault-Bryant 10: Madea vs. Medea: Agape, and the Militarist or Murderous Maternal; Joy James Part V: Black Women as Religio-Cultural Capital 11: Tyler Perry and the (Mis)Representation of Religious Morality; Terrion L. Williamson 12: Talking Back and Taking My 'Amens' with Me: Tyler Perry and the Narrative Colonization of Black Women's Stories; Brittney Cooper 13: Do You Want to Be Well?: The Gospel Play, Womanist Theology, and Tyler Perry's Artistic Project; Robert J. Patterson Afterword: T. Denean Sharpley-Whiting
Foreword; Emilie M. Townes Introduction; LeRhonda S. Manigault-Bryant, Tamura Lomax, and Duncan Part I: Filmography Part II: Theology, Spirituality and Black Popular Religious Imaginations 1: Tyler Perry Reads Scripture; Nyasha Junior 2: Signifying Love and Embodied Relationality: Towards a Womanist Theological Anthropology; Cheryl A. Kirk-Duggan 3: Jesus Will Fix It, After While: The Purpose and Role of Gospel Music in Tyler Perry Productions; Lisa Allen-McLaurin 4: Screening God; Andrea C. White Part III: Theorizing Intersecting Identities and (Re)Envisioning Black Womanhood 5: A People That Would Take Care of Ourselves: Tyler Perry's Vision of Community and Gender Relations; Yolande M.S. Tomlinson 6: It aint where you comin' from, honey: Class, Social Mobility and Marriage in Tyler Perry's Madea's Family Reunion; Carol B. Duncan 7: Mad Black Bitches and Lady-like Saints: Representations of African American Women in Tyler Perry Films; Tamura A. Lomax 8: (Re)Mediating Black Womanhood: Tyler Perry, Black Feminist Cultural Criticism and the Politics of Appropriation; Whitney Peoples Part IV: The Politics of Performance 9: Pause, Auntie Momma!: Reading Religion in Tyler Perry's Fat Drag; LeRhonda S. Manigault-Bryant 10: Madea vs. Medea: Agape, and the Militarist or Murderous Maternal; Joy James Part V: Black Women as Religio-Cultural Capital 11: Tyler Perry and the (Mis)Representation of Religious Morality; Terrion L. Williamson 12: Talking Back and Taking My 'Amens' with Me: Tyler Perry and the Narrative Colonization of Black Women's Stories; Brittney Cooper 13: Do You Want to Be Well?: The Gospel Play, Womanist Theology, and Tyler Perry's Artistic Project; Robert J. Patterson Afterword: T. Denean Sharpley-Whiting