This provocative book will be of interest to researchers and students of anthropology, gender studies, sociology, cultural studies, media studies and Spanish studies.
This provocative book will be of interest to researchers and students of anthropology, gender studies, sociology, cultural studies, media studies and Spanish studies.
Sarah Pink Lecturer in Sociology,Loughborough University
Inhaltsangabe
Part 1 Setting the scene: prologue - constructing femininity and inventing tradition; introduction - a "world of bullfighting". Part 2 Rethinking gender and bullfighting in Andalusia: slaying anthropology's goat - men, women and reputation in Andalusia; gender, bullfighting and anthropology - theorizing women bullfighters. Part 3 Detras de la Barrera? Women off stage and women creeping out from behind the scenes: wife, seductress, mother and the beautiful spectator - representations of femininities and "tradition"; active "Aficonadas" - a gendered lens on a photographic ritual. Part 4 Women performers - from the public arena to a domestic screen: gender, power and access to the arena - media, experience and representations of self; "Toreras" and "trajes" - dressing up in the names of history; breasts in the bullring - female physiology, women bullfighters and competing femininities; from ritual performance to media commodity - women performers and media events. Part 5 Conclusions: modern femininities and consuming traditions. Appendix: questions of translation and terminology.
Part 1 Setting the scene: prologue - constructing femininity and inventing tradition; introduction - a "world of bullfighting". Part 2 Rethinking gender and bullfighting in Andalusia: slaying anthropology's goat - men, women and reputation in Andalusia; gender, bullfighting and anthropology - theorizing women bullfighters. Part 3 Detras de la Barrera? Women off stage and women creeping out from behind the scenes: wife, seductress, mother and the beautiful spectator - representations of femininities and "tradition"; active "Aficonadas" - a gendered lens on a photographic ritual. Part 4 Women performers - from the public arena to a domestic screen: gender, power and access to the arena - media, experience and representations of self; "Toreras" and "trajes" - dressing up in the names of history; breasts in the bullring - female physiology, women bullfighters and competing femininities; from ritual performance to media commodity - women performers and media events. Part 5 Conclusions: modern femininities and consuming traditions. Appendix: questions of translation and terminology.
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