Studies representations of women and death by women to see whether and how they differ from patriarchal versions.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Practicing Piety: Representations of Women's Dying in German Funeral Sermons of the Early Modern Period - Jill Bepler "Ich Sterbe": The Construction of the Dying Self in the Advance Preparations for Death of Lutheran Women in Early Modern Germany - Judith P. Aikin The "New Mythology": Myth and Death in Karoline von Günderrode's Literary Work - Barbara Becker-Cantarino The Murderess on Stage: Christine Westphalen's Charlotte Corday (1804) - Stephanie Hilger "Ob im Tode mein Ich geboren wird?" The Representation of the Widow in Hedwig Dohm's "Werde, die du bist!" (1894) - Abigail Dunn The Figure of Judith in Works by German Women Writers between 1895 and 1921 - Helen Watanabe-O'Kelly Lola Doesn't: Cinema, Jouissance, and the Avoidance of Murder and Death - Simon Richter Death, Being, and the Place of Comedy in Representations of Death - Stephanie Bird "Liebe ist ein Kunstwerk": The Appeal to Gaspara Stampa in Ingeborg Bachmann's Todesarten - Aine McMurtry TV Nation: The Representation of Death in Warfare in Works by Peter Handke and Elfriede Jelinek - Elisabeth Krimmer
Practicing Piety: Representations of Women's Dying in German Funeral Sermons of the Early Modern Period - Jill Bepler "Ich Sterbe": The Construction of the Dying Self in the Advance Preparations for Death of Lutheran Women in Early Modern Germany - Judith P. Aikin The "New Mythology": Myth and Death in Karoline von Günderrode's Literary Work - Barbara Becker-Cantarino The Murderess on Stage: Christine Westphalen's Charlotte Corday (1804) - Stephanie Hilger "Ob im Tode mein Ich geboren wird?" The Representation of the Widow in Hedwig Dohm's "Werde, die du bist!" (1894) - Abigail Dunn The Figure of Judith in Works by German Women Writers between 1895 and 1921 - Helen Watanabe-O'Kelly Lola Doesn't: Cinema, Jouissance, and the Avoidance of Murder and Death - Simon Richter Death, Being, and the Place of Comedy in Representations of Death - Stephanie Bird "Liebe ist ein Kunstwerk": The Appeal to Gaspara Stampa in Ingeborg Bachmann's Todesarten - Aine McMurtry TV Nation: The Representation of Death in Warfare in Works by Peter Handke and Elfriede Jelinek - Elisabeth Krimmer
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