Women and Embodied Mythmaking in Irish Theatre - Hill, Shonagh (University College Dublin)
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Explores how women in Irish theatre in the twentieth and twenty-first centuries have employed mythic narratives to expose the gap between women's material lives and idealised myths of femininity. This book will speak to students and academics with an interest in theatre, Irish studies and gender studies.

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Produktbeschreibung
Explores how women in Irish theatre in the twentieth and twenty-first centuries have employed mythic narratives to expose the gap between women's material lives and idealised myths of femininity. This book will speak to students and academics with an interest in theatre, Irish studies and gender studies.
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Autorenporträt
Shonagh Hill teaches at University College Dublin. She was awarded an Irish Research Council Postdoctoral Fellowship 2016-17 (University College Dublin) to develop her monograph Women and Embodied Mythmaking in Irish Theatre. Hill has published articles on women and Irish theatre in a range of leading journals and internationally reviewed books. Most recently, 'Feeling Out of Place: The 'affective dissonance' of the feminist spectator in The Boys of Foley Street' was published in Performance, Feminism and Affect in Neoliberal Times (2017).