Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception.
Women and men in cinema are imaginary constructs created by filmmakers and their audiences. The film-psychoanalytic approach reveals how movies subliminally influence unconscious reception.
Beauties and Beasts in Film Psychoanalysis Women and images of men in cinema Psychoanalytical film interpretation possibilities and limitations Beautiful beasts motif tradition and film psychoanalysis in Jean Cocteau's La Belle et la Bête (F 1946) The Beauties La Belle, la Bête, et la rose "You can't say no to the Beauty and the Beast ..."* Or: an ending and no beautiful beast The Beasts Once upon a time Beauty and the Beast a surrealistic survival attempt in the year 1946? Coming over to the wild side: women's yearning for beastly encounters in the course of film history
Beauties and Beasts in Film Psychoanalysis Women and images of men in cinema Psychoanalytical film interpretation possibilities and limitations Beautiful beasts motif tradition and film psychoanalysis in Jean Cocteau's La Belle et la Bête (F 1946) The Beauties La Belle, la Bête, et la rose "You can't say no to the Beauty and the Beast ..."* Or: an ending and no beautiful beast The Beasts Once upon a time Beauty and the Beast a surrealistic survival attempt in the year 1946? Coming over to the wild side: women's yearning for beastly encounters in the course of film history
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