The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century.
The present volume of essays examines women's communication as it has evolved historically across multiple mediums. Part I explores how women became "gossip girls" and the important role of gossip in the perception and practice of female communication. Essays in Part II cover the convergence of oral and written communication in women's literature. Gendered performance in such arenas as salsa dance, Dr. Phil and the Internet is examined in Part III, and essays in Part IV discuss women's communication in the technology-rich 21st century.
Melissa Ames is an assistant professor of English at Eastern Illinois University in Charleston. Her work has been published in a variety of anthologies and journals, and she is the author of two books. Sarah Himsel Burcon teaches composition and literature at Lawrence Technological University in Southfield, Michigan. She specializes in feminist theory and 20th century American literature.
Inhaltsangabe
Table of Contents INTRODUCTION: WOMEN AND ORAL CULTURE Melissa Ames and Sarah Himsel Burcon PART I. SPOKEN SPACES: THE HISTORICIZATION, EVOLUTION, AND GENDERING OF "GOSSIP" 1. Pandora's Voice-Box: How Woman Became the "Gossip Girl" Giselle Bastin 2. Just Like a Woman: Misogynistic Gossip in the Correspondence Between John Chamberlain and Sir Dudley Carleton Emily Ross 3. "Paper cannot blush": Martha Fowke, an 18th-Century Abandoned Woman Earla Wilputte PART II. LITERARY SPACES: THE CONVERGENCE OF ORALITY AND PRINT IN WOMEN'S WRITING 4. Delete as Appropriate: Writing Between the Lines of Female Orality in The Wife's Lament Miriam Muth 5. Voicing the Feminine and the (Absent) Masculine in The Concealed Fancies Lindsay Yakimyshyn 6. The Wartime Diaries of Dang Thuy Tram: Extolling and Gendering the Heroine's Voice in Postwar Vietnam and Beyond Hanh N. Nguyen and R. C. Lutz 7. When Talk Meets Page: The Feminist Aesthetic of Adapted Narration and Language Play Melissa Ames 8. Blurred Boundaries and Re-Told Histories: Julia Alvarez's How the García Girls Lost Their Accents Sarah Himsel Burcon PART III. PERFORMATIVE SPACES: CONSTRUCTING AND INSTRUCTING GENDERED BEHAVIOR 9. Bodies in Dialogue: Performing Gender and Sexuality in Salsa Dance Aleysia Whitmore 10. "Tell me, does she talk during sex?" The Gendering of Permissible Speech on Dr. Phil Diana York Blaine 11. Read My Profile: Internet Profile Culture, Young Women, and the Communication of Power Ashley M. Donnelly PART IV. TECHNOLOGICAL SPACES: TRANSFORMING "TALK" IN THE 21ST CENTURY 12. Women, Kin-Keeping, and the Inscription of Gender in Mediated Communication Environments Julie Dare 13. Gendering the Construction of Instant Messaging Koen Leurs and Sandra Ponzanesi 14. Gender Blogging: Femininity and Communication Practices on the Internet Adriana Braga ABOUT THE CONTRIBUTORS Index
Table of Contents INTRODUCTION: WOMEN AND ORAL CULTURE Melissa Ames and Sarah Himsel Burcon PART I. SPOKEN SPACES: THE HISTORICIZATION, EVOLUTION, AND GENDERING OF "GOSSIP" 1. Pandora's Voice-Box: How Woman Became the "Gossip Girl" Giselle Bastin 2. Just Like a Woman: Misogynistic Gossip in the Correspondence Between John Chamberlain and Sir Dudley Carleton Emily Ross 3. "Paper cannot blush": Martha Fowke, an 18th-Century Abandoned Woman Earla Wilputte PART II. LITERARY SPACES: THE CONVERGENCE OF ORALITY AND PRINT IN WOMEN'S WRITING 4. Delete as Appropriate: Writing Between the Lines of Female Orality in The Wife's Lament Miriam Muth 5. Voicing the Feminine and the (Absent) Masculine in The Concealed Fancies Lindsay Yakimyshyn 6. The Wartime Diaries of Dang Thuy Tram: Extolling and Gendering the Heroine's Voice in Postwar Vietnam and Beyond Hanh N. Nguyen and R. C. Lutz 7. When Talk Meets Page: The Feminist Aesthetic of Adapted Narration and Language Play Melissa Ames 8. Blurred Boundaries and Re-Told Histories: Julia Alvarez's How the García Girls Lost Their Accents Sarah Himsel Burcon PART III. PERFORMATIVE SPACES: CONSTRUCTING AND INSTRUCTING GENDERED BEHAVIOR 9. Bodies in Dialogue: Performing Gender and Sexuality in Salsa Dance Aleysia Whitmore 10. "Tell me, does she talk during sex?" The Gendering of Permissible Speech on Dr. Phil Diana York Blaine 11. Read My Profile: Internet Profile Culture, Young Women, and the Communication of Power Ashley M. Donnelly PART IV. TECHNOLOGICAL SPACES: TRANSFORMING "TALK" IN THE 21ST CENTURY 12. Women, Kin-Keeping, and the Inscription of Gender in Mediated Communication Environments Julie Dare 13. Gendering the Construction of Instant Messaging Koen Leurs and Sandra Ponzanesi 14. Gender Blogging: Femininity and Communication Practices on the Internet Adriana Braga ABOUT THE CONTRIBUTORS Index
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