Women and Portraits in Early Modern Europe

Gender, Agency, Identity
Herausgeber: Pearson, Andrea

• Broschiertes Buch

Produktbeschreibung

As one of the first books to treat portraits of early modern women as a discrete subject, this volume considers the possibilities and limits of agency and identity for women in history and, with particular attention to gender, as categories of analysis for women's images. Its nine original essays on Italy, the Low Countries, Germany, France, and England deepen the usefulness of these analytical tools for portraiture.

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Produktdetails

• Verlag: Routledge
• Seitenzahl: 246
• Erscheinungstermin: 19. Oktober 2016
• Englisch
• Abmessung: 234mm x 156mm x 13mm
• Gewicht: 380g
• ISBN-13: 9781138259447
• ISBN-10: 1138259446
• Artikelnr.: 57040593

Autorenporträt

Andrea Pearson is a specialist in the visual culture of northern Europe from the fourteenth through the sixteenth centuries, she has published on gender and devotional art in Gesta, Renaissance Quarterly, Woman's Art Journal, and the Sixteenth Century Journal.

Inhaltsangabe

Contents: Introduction: portraiture's selves, Andrea Pearson; Gender and
the configuration of early Netherlandish devotional skill, Bret Rothstein;
Productions of meaning in portraits of Margaret of York, Andrea Pearson;
The posthumous image of Mary of Burgundy, Ann M. Roberts; Effaced: falling
widows, Allison Levy; Daddy's little girl: patrilineal anxiety in 2
portraits of a Renaissance daughter, Katherine A. McIver; Engaging negation
in Hans Holbein the Younger's portrait of Christina of Denmark Duchess of
Milan, Christiane Hertel; All the queen's women: female double portraits at
the Caroline court, Jennifer L. Hallam; Troubling identities and the
agreeable game of art: from Madame de Pompadour's theatrical 'breeches' of
decorum to Drouais' portrait of Madame Du Barry en homme, Melissa Lee Hyde;
Sculpting her image: Sarah Siddons and the art of self-fashioning, Heather
McPherson; Bibliography; Index.