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This book bridges a gap in scholarship by foregrounding the contribution of women to the nineteenth-century Lied. It consolidates recent research in the genre, and develops an alternative narrative that embraces an understanding of the contributions of women. Composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a variety of analytical approaches. In addition to the focus on the history and theory of the Lied, chapters explore the cultural and sociological background, as well as engaging with gender studies, performance and pedagogical…mehr

Produktbeschreibung
This book bridges a gap in scholarship by foregrounding the contribution of women to the nineteenth-century Lied. It consolidates recent research in the genre, and develops an alternative narrative that embraces an understanding of the contributions of women. Composers including Fanny Hensel, Clara Schumann, Pauline Viardot-Garcia and Josephine Lang are considered with a variety of analytical approaches. In addition to the focus on the history and theory of the Lied, chapters explore the cultural and sociological background, as well as engaging with gender studies, performance and pedagogical contexts. The range of subject matter reflects the interdisciplinary nature of current research and the energy it generates among scholars and performers.
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Autorenporträt
Aisling Kenny lectures in musicology, music analysis and vocal studies at Dundalk Institute of Technology. A musicologist and soprano, her research interests include women's music in the nineteenth century and text-music relationships in art song and choral music. Susan Wollenberg is Professor of Music at the University of Oxford, Fellow and Tutor of Lady Margaret Hall and Lecturer at Brasenose College. She has published widely on various research interests, including women composers, historical keyboard music, social history of music in Britain and Schubert's instrumental works.