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The contribution of women to the construction of modern society has been largely forgotten in Irish history. Even though the interest in women's studies has improved in the past decades, adding women's names to history is not enough: we need to question its basis, Adela Flamarike argues in this original new book. / The author explores how the distinctive features of Irish cultural nationalism led to a distinctive understanding of both womanhood and the role of women's arts in Irish cultural self-realisation. / Contents: Introduction. / Women and nationalism in Ireland / The road to…mehr

Produktbeschreibung
The contribution of women to the construction of modern society has been largely forgotten in Irish history. Even though the interest in women's studies has improved in the past decades, adding women's names to history is not enough: we need to question its basis, Adela Flamarike argues in this original new book. / The author explores how the distinctive features of Irish cultural nationalism led to a distinctive understanding of both womanhood and the role of women's arts in Irish cultural self-realisation. / Contents: Introduction. / Women and nationalism in Ireland / The road to independence / The dichotomy between feminism and nationalism / The Irish Revival. Absence. / The Irish Revival and the arts / Womanhood and Irish nationalist culture / The artists of the revolution. Presence / Arts in the Irish Revival / Women and Art in 19th and 20th Century Ireland / Presence I. Painters / Representation of the nation: Beatrice Elvery and Margaret Clarke / Landscape and rural life: Lilian Lucy Davidson / iii Painters of the revolution: Constance Markievicz and Kathleen Fox / Modernism and Tradition: Mainie Jellett / Presence II. Applied Arts. / Dun Emer Guild. Susan and Elizabeth Yeats. / An T¿r Gloine. Sarah Purser.
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Autorenporträt
The Author was born in 1990 in Navarra, Spain; studied a degree in History of Art at the Basque Country University in Vitoria, and Saint Louis University in Brussels, Belgium. Her final project entitled "Women, Art and Exile. The subversion in the artwork of Leonora Carrington and Remedios Varo" won the Francisca de Aculodi award as part of a gender perspective project in the Basque Country University in March 2015. In 2014 she travelled through Ireland and finally settled in Westport. She has collaborated with the Chilean cultural magazine AguaTinta as a monthly columnist. This involved critical and political study of various artworks and artists through the lens of gender perspective. She holds a First Class Honours Master's Degree in Applied Research in Feminist, Gender and Citizenship Studies at the Jaume I University of Castellón (Spain).