This is the story of how women in France and Britain between 1915 and 1933 appropriated the cultural identity of female war veteran in order to have greater access to public life and a voice in a political climate in which women were rarely heard on the public stage.
This is the story of how women in France and Britain between 1915 and 1933 appropriated the cultural identity of female war veteran in order to have greater access to public life and a voice in a political climate in which women were rarely heard on the public stage.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
Produktdetails
Studies in the Social and Cultural History of Modern Warfare
Alison S. Fell is Professor of French Cultural History at the University of Leeds and Director of the Leeds Humanities Research Centre. She is Co-Investigator of the Gateways to the First World War AHRC First World Public Engagement Centre. She regularly acts as a historical consultant and interviewee for television and radio, including the Woman's Hour drama The Camel Hospital and the BBC's The World's War: Forgotten Soldiers of Empire.
Inhaltsangabe
Introduction: back to the front: women as veterans 1. Women as veterans in the commemorative landscapes of interwar Britain and France 2. The afterlives of First World War heroines 3. 'That glorious comradeship': female veteran groups in the 1920s 4. Writing as a veteran: women's war memoirs 5. Women's wartime industrial action and the limits of female veteran identity Conclusion.
Introduction: back to the front: women as veterans 1. Women as veterans in the commemorative landscapes of interwar Britain and France 2. The afterlives of First World War heroines 3. 'That glorious comradeship': female veteran groups in the 1920s 4. Writing as a veteran: women's war memoirs 5. Women's wartime industrial action and the limits of female veteran identity Conclusion.
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