Female novelists have always invested as much narrative energy in constructing their male characters as in envisioning their female. The collected articles in
Female novelists have always invested as much narrative energy in constructing their male characters as in envisioning their female. The collected articles in Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Edited by Sarah S. G. Frantz and Katharina Rennhak - Contributions by Sarah Ailwood; Katherine Bode; Frederick Burwick; Rainer Emig; Sarah S. G. Frantz; George E. Haggerty; Roxanne Harde; Angela Laflen; Shawn Lisa Maurer; Ellen McWilliams; Sara Pearson an
Inhaltsangabe
Chapter 1 Female Novelists and Their Male Characters, 1750-2000: An Introduction Chapter 2 Happy Men?: Mid-Eighteenth-Century Women Writers and Ideal Masculinity Chapter 3 Male Privilege in Frances Burney's The Wanderer Chapter 4 The Medium Makes the Man: Anne Plumptre's Something New and The History of Myself and My Friend Chapter 5 "Too much in the common Novel style": Reforming Masculinities in Jane Austen's Sense and Sensibility Chapter 6 Constructing Masculine Narrative: Charlotte Brontë's The Professor Chapter 7 The Lifted Veil: George Eliot's Experiment with First-Person Narrative Chapter 8 Assimilating the "pretty youngster": George Eliot's Eroticized Men on the Borderlines of Morality, Religion, Race, and Nation Chapter 9 "His spirituality or his manliness": Elizabeth Stuart Phelps's (Re)Constructions of Christian Masculinity Chapter 10 The Differential Construction of Masculinity in the Writings of Virginia Woolf Chapter 11 Knitting Paradise Lost: Masculinity and Domesticity in the Novels of Carol Shields Chapter 12 Looking (Im)Properly: Women Objectifying Men's Bodies in Contemporary Australian Women's Fiction Chapter 13 Unmaking the Self-Made Man: Louise Erdrich's Fictional Exploration of Masculinity Chapter 14 "I've tried my entire life to be a good man": Suzanne Brockmann's Sam Starrett, Ideal Romance Hero
Chapter 1 Female Novelists and Their Male Characters, 1750-2000: An Introduction Chapter 2 Happy Men?: Mid-Eighteenth-Century Women Writers and Ideal Masculinity Chapter 3 Male Privilege in Frances Burney's The Wanderer Chapter 4 The Medium Makes the Man: Anne Plumptre's Something New and The History of Myself and My Friend Chapter 5 "Too much in the common Novel style": Reforming Masculinities in Jane Austen's Sense and Sensibility Chapter 6 Constructing Masculine Narrative: Charlotte Brontë's The Professor Chapter 7 The Lifted Veil: George Eliot's Experiment with First-Person Narrative Chapter 8 Assimilating the "pretty youngster": George Eliot's Eroticized Men on the Borderlines of Morality, Religion, Race, and Nation Chapter 9 "His spirituality or his manliness": Elizabeth Stuart Phelps's (Re)Constructions of Christian Masculinity Chapter 10 The Differential Construction of Masculinity in the Writings of Virginia Woolf Chapter 11 Knitting Paradise Lost: Masculinity and Domesticity in the Novels of Carol Shields Chapter 12 Looking (Im)Properly: Women Objectifying Men's Bodies in Contemporary Australian Women's Fiction Chapter 13 Unmaking the Self-Made Man: Louise Erdrich's Fictional Exploration of Masculinity Chapter 14 "I've tried my entire life to be a good man": Suzanne Brockmann's Sam Starrett, Ideal Romance Hero
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