Women in International and Universal Exhibitions, 1876�1937
Herausgeber: Rogers, Rebecca; Boussahba-Bravard, Myriam
Women in International and Universal Exhibitions, 1876�1937
Herausgeber: Rogers, Rebecca; Boussahba-Bravard, Myriam
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This book introduces women into the history of world fairs through a dialogue across disciplinary and national historiographies that challenges existing narratives. It shows the ways women engaged in these modern spaces, as artists, writers, collectors, philanthropists, workers or feminists at a moment when feminist movements were developing.
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This book introduces women into the history of world fairs through a dialogue across disciplinary and national historiographies that challenges existing narratives. It shows the ways women engaged in these modern spaces, as artists, writers, collectors, philanthropists, workers or feminists at a moment when feminist movements were developing.
Produktdetails
- Produktdetails
- Routledge Research in Gender and History
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 286
- Erscheinungstermin: 10. Dezember 2019
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 440g
- ISBN-13: 9780367884239
- ISBN-10: 0367884232
- Artikelnr.: 58481951
- Routledge Research in Gender and History
- Verlag: Taylor & Francis Ltd
- Seitenzahl: 286
- Erscheinungstermin: 10. Dezember 2019
- Englisch
- Abmessung: 229mm x 152mm x 16mm
- Gewicht: 440g
- ISBN-13: 9780367884239
- ISBN-10: 0367884232
- Artikelnr.: 58481951
Myriam Boussahba-Bravard is Professor of Nineteenth-Century British History in the English and American Studies faculty of Université Paris Diderot. Rebecca Rogers is Professor in the Histoire of Education at the Université Paris Descartes.
Introduction: Positioning Women in the World Fairs, 1876-1937 Myriam
Boussahba-Bravard and Rebecca Rogers Part I: Exhibiting Women: Collectors,
Artists and Students 1. Expositions and Collections: Women Art Collectors
and Patrons in the Age of the Great Expositions Julie Verlaine 2.
Unpretentious Paintings: Mexico's National School of Fine Arts' Women
Students at the 1893 Chicago Columbian Exposition Ursula Tania Estrada 3.
Inserting the Personal in the International: The American Girl at the 1900
Paris Exposition Linda Kim Part II: Promoting Women: Professionals, Workers
and Organizers 4. "After Mature Deliberation": Women Lawyers' Infiltration
of the 1893 World Columbian Exposition Gwen Jordan 5. International
Expositions and the Rewriting of Portuguese Women's History (1889-1908)
Teresa Pinto 6. A "Reason to Act, an Ideal to Strive Towards": Women as
Intellectual Organizers at the Paris Exhibition of 1900 Anne R. Epstein
Part III: Staging Otherness: Women on and from the Margins 7. African
American Women's Voices at the 1893 Chicago World Fair Claudine Raynaud 8.
Between Knowledge and Spectacle: Exotic Women at International Exhibitions
(Paris, 1889 and 1900) Christiane Demeulenaere-Douyère 9. International
Activism After the Fair: New South Wales, Utah, and the 1893 World's
Columbian Exhibition James Keating Part IV: Mobilizing Women: National,
International, and Transnational Feminism(s) 10. Rendezvous at the Expo:
Building a Franco-American Women's Network, 1889-1893-1900 Karen Offen 11.
Forging the Transnational out of the International: Feminist
Internationalism at World's Fairs and International Exhibitions Tracey Jean
Boisseau
Boussahba-Bravard and Rebecca Rogers Part I: Exhibiting Women: Collectors,
Artists and Students 1. Expositions and Collections: Women Art Collectors
and Patrons in the Age of the Great Expositions Julie Verlaine 2.
Unpretentious Paintings: Mexico's National School of Fine Arts' Women
Students at the 1893 Chicago Columbian Exposition Ursula Tania Estrada 3.
Inserting the Personal in the International: The American Girl at the 1900
Paris Exposition Linda Kim Part II: Promoting Women: Professionals, Workers
and Organizers 4. "After Mature Deliberation": Women Lawyers' Infiltration
of the 1893 World Columbian Exposition Gwen Jordan 5. International
Expositions and the Rewriting of Portuguese Women's History (1889-1908)
Teresa Pinto 6. A "Reason to Act, an Ideal to Strive Towards": Women as
Intellectual Organizers at the Paris Exhibition of 1900 Anne R. Epstein
Part III: Staging Otherness: Women on and from the Margins 7. African
American Women's Voices at the 1893 Chicago World Fair Claudine Raynaud 8.
Between Knowledge and Spectacle: Exotic Women at International Exhibitions
(Paris, 1889 and 1900) Christiane Demeulenaere-Douyère 9. International
Activism After the Fair: New South Wales, Utah, and the 1893 World's
Columbian Exhibition James Keating Part IV: Mobilizing Women: National,
International, and Transnational Feminism(s) 10. Rendezvous at the Expo:
Building a Franco-American Women's Network, 1889-1893-1900 Karen Offen 11.
Forging the Transnational out of the International: Feminist
Internationalism at World's Fairs and International Exhibitions Tracey Jean
Boisseau
Introduction: Positioning Women in the World Fairs, 1876-1937 Myriam
Boussahba-Bravard and Rebecca Rogers Part I: Exhibiting Women: Collectors,
Artists and Students 1. Expositions and Collections: Women Art Collectors
and Patrons in the Age of the Great Expositions Julie Verlaine 2.
Unpretentious Paintings: Mexico's National School of Fine Arts' Women
Students at the 1893 Chicago Columbian Exposition Ursula Tania Estrada 3.
Inserting the Personal in the International: The American Girl at the 1900
Paris Exposition Linda Kim Part II: Promoting Women: Professionals, Workers
and Organizers 4. "After Mature Deliberation": Women Lawyers' Infiltration
of the 1893 World Columbian Exposition Gwen Jordan 5. International
Expositions and the Rewriting of Portuguese Women's History (1889-1908)
Teresa Pinto 6. A "Reason to Act, an Ideal to Strive Towards": Women as
Intellectual Organizers at the Paris Exhibition of 1900 Anne R. Epstein
Part III: Staging Otherness: Women on and from the Margins 7. African
American Women's Voices at the 1893 Chicago World Fair Claudine Raynaud 8.
Between Knowledge and Spectacle: Exotic Women at International Exhibitions
(Paris, 1889 and 1900) Christiane Demeulenaere-Douyère 9. International
Activism After the Fair: New South Wales, Utah, and the 1893 World's
Columbian Exhibition James Keating Part IV: Mobilizing Women: National,
International, and Transnational Feminism(s) 10. Rendezvous at the Expo:
Building a Franco-American Women's Network, 1889-1893-1900 Karen Offen 11.
Forging the Transnational out of the International: Feminist
Internationalism at World's Fairs and International Exhibitions Tracey Jean
Boisseau
Boussahba-Bravard and Rebecca Rogers Part I: Exhibiting Women: Collectors,
Artists and Students 1. Expositions and Collections: Women Art Collectors
and Patrons in the Age of the Great Expositions Julie Verlaine 2.
Unpretentious Paintings: Mexico's National School of Fine Arts' Women
Students at the 1893 Chicago Columbian Exposition Ursula Tania Estrada 3.
Inserting the Personal in the International: The American Girl at the 1900
Paris Exposition Linda Kim Part II: Promoting Women: Professionals, Workers
and Organizers 4. "After Mature Deliberation": Women Lawyers' Infiltration
of the 1893 World Columbian Exposition Gwen Jordan 5. International
Expositions and the Rewriting of Portuguese Women's History (1889-1908)
Teresa Pinto 6. A "Reason to Act, an Ideal to Strive Towards": Women as
Intellectual Organizers at the Paris Exhibition of 1900 Anne R. Epstein
Part III: Staging Otherness: Women on and from the Margins 7. African
American Women's Voices at the 1893 Chicago World Fair Claudine Raynaud 8.
Between Knowledge and Spectacle: Exotic Women at International Exhibitions
(Paris, 1889 and 1900) Christiane Demeulenaere-Douyère 9. International
Activism After the Fair: New South Wales, Utah, and the 1893 World's
Columbian Exhibition James Keating Part IV: Mobilizing Women: National,
International, and Transnational Feminism(s) 10. Rendezvous at the Expo:
Building a Franco-American Women's Network, 1889-1893-1900 Karen Offen 11.
Forging the Transnational out of the International: Feminist
Internationalism at World's Fairs and International Exhibitions Tracey Jean
Boisseau