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Women in Love (1920) is a novel by British author D. H. Lawrence. It is a sequel to his earlier novel The Rainbow (1915), and follows the continuing loves and lives of the Brangwen sisters, Gudrun and Ursula. Gudrun Brangwen, an artist, pursues a destructive relationship with Gerald Crich, an industrialist. Lawrence contrasts this pair with the love that develops between Ursula Brangwen and Rupert Birkin, an alienated intellectual who articulates many opinions associated with the author. The emotional relationships thus established are given further depth and tension by an intense…mehr

Produktbeschreibung
Women in Love (1920) is a novel by British author D. H. Lawrence. It is a sequel to his earlier novel The Rainbow (1915), and follows the continuing loves and lives of the Brangwen sisters, Gudrun and Ursula. Gudrun Brangwen, an artist, pursues a destructive relationship with Gerald Crich, an industrialist. Lawrence contrasts this pair with the love that develops between Ursula Brangwen and Rupert Birkin, an alienated intellectual who articulates many opinions associated with the author. The emotional relationships thus established are given further depth and tension by an intense psychological and physical attraction between Gerald and Rupert. The novel ranges over the whole of British society before the time of the First World War and eventually concludes in the snows of the Tyrolean Alps. Ursula's character draws on Lawrence's wife Frieda and Gudrun's on Katherine Mansfield, while Rupert Birkin's has elements of Lawrence himself, and Gerald Crich is partly based on Mansfield's husband, John Middleton Murry
Autorenporträt
"David Herbert Lawrence was born on September 11, 1885. He was not only an important but also disputable English essayist of the 20th century. He was one of the main scholars of English Modernism. Lawrence was a skilled author who wrote several books, brief tales, sonnets, plays, papers, travel guides, artistic creations, interpretations, abstract analyses, and individual letters. Lawrence is remembered today for stretching the boundaries beyond what was regarded as satisfactory in abstract fiction whereas different Modernists such as Joyce and Woolf were content to radicalize the types of writing, Lawrence focused on extending the scope of the artistic topic. Specifically, he consolidated Freudian therapy, forthright portrayals of sexuality, and enchanted strict subjects into his works that were very unexpected and fresh to the crowds of his time. Even though he is regarded as one of the main figures in the early history of Modernism, Lawrence stays questionable. His monstrous result is famously lopsided and he never lived to the point of refining his views into reasonable thoughts. Different pundits mock Lawrence unequivocally and it is the case that a portion of his lesser works was composed more to stun than to illuminate the brain with the brightness of workmanship genuinely. Regardless, Lawrence was a virtuoso of the greatest request, and his most modern sonnets and books are among the most persuasive works of 20th-century writing."