This volume compares the cinemas of Iran and Turkey in terms of the presence and absence of women on both sides of the camera. From a critical point of view, it provides detailed readings of works by both male and female film-makers, emphasising issues facing women's film-making.
This volume compares the cinemas of Iran and Turkey in terms of the presence and absence of women on both sides of the camera. From a critical point of view, it provides detailed readings of works by both male and female film-makers, emphasising issues facing women's film-making.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Gönül Dönmez-Colin is a film scholar specializing in the cinemas of the Middle East and Central Asia. She is the author of The Routledge Dictionary of Turkish Cinema, Turkish Cinema: Identity, Distance and Belonging, Cinemas of the Other: A Personal Journey with Filmmakers from the Middle East and Central Asia, Women, Islam and Cinema amongst other works.
Inhaltsangabe
Introduction 1. From Inflated Plastic Dolls, Patience Stones, Honour Bearers, Home Breakers and 'Commodified Others' to Free Agents: Screen Images of Women 2. Women on the Thorny Trail of Image Making 3. Post Traumatic Cinema and Gender 4. Narratives of Resistance 5. Sexualities and Queer Imaginaries 6. Border Crossings and 'Deterritorialized' Film Makers 7. His Films: Abbas Kiarostami and Nuri Bilge Ceylan Afterword
Introduction 1. From Inflated Plastic Dolls, Patience Stones, Honour Bearers, Home Breakers and 'Commodified Others' to Free Agents: Screen Images of Women 2. Women on the Thorny Trail of Image Making 3. Post Traumatic Cinema and Gender 4. Narratives of Resistance 5. Sexualities and Queer Imaginaries 6. Border Crossings and 'Deterritorialized' Film Makers 7. His Films: Abbas Kiarostami and Nuri Bilge Ceylan Afterword
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