Reassesses women's relationship to performance in early modern England.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Clare McManus is Professor of Early Modern Literature and Theatre at the University of Roehampton
Inhaltsangabe
Introduction: An early modern female stage 1. Dance, gender and the politics of aristocratic performance in the early Stuart court masque 2. Marriage and the performance of the romance quest - the role of the queen consort in the early modern European court 3. 'Spectacles of strangeness' - the performance of the female body in the major Jacobean masques 4. Disputed marriages - the female courtier as spectator 5. The contested masquing stage - 'The Somerset masque', 'Cupid's banishment' and the space of the female court Conclusion: The legacy of Anna of Denmark - female performance in the Caroline court and beyond Notes Bibliography Index
Introduction: An early modern female stage 1. Dance, gender and the politics of aristocratic performance in the early Stuart court masque 2. Marriage and the performance of the romance quest - the role of the queen consort in the early modern European court 3. 'Spectacles of strangeness' - the performance of the female body in the major Jacobean masques 4. Disputed marriages - the female courtier as spectator 5. The contested masquing stage - 'The Somerset masque', 'Cupid's banishment' and the space of the female court Conclusion: The legacy of Anna of Denmark - female performance in the Caroline court and beyond Notes Bibliography Index
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