Andere Kunden interessierten sich auch für
![The Art and Science of Trauma and the Autobiographical]( "The Art and Science of Trauma and the Autobiographical")
The Art and Science of Trauma and the Autobiographical66,99 €![Cultural Memory, Memorials, and Reparative Writing]( "Cultural Memory, Memorials, and Reparative Writing")
Cultural Memory, Memorials, and Reparative Writing41,99 €![Public Humanities and the Spanish Civil War]( "Public Humanities and the Spanish Civil War")
Public Humanities and the Spanish Civil War81,99 €![Clever Girls and the Literature of Women's Upward Mobility]( "Clever Girls and the Literature of Women's Upward Mobility")
Clever Girls and the Literature of Women's Upward Mobility66,99 €![Clever Girls and the Literature of Women's Upward Mobility]( "Clever Girls and the Literature of Women's Upward Mobility")
Clever Girls and the Literature of Women's Upward Mobility66,99 €![Future Narratives]( "Future Narratives")
Future Narratives74,99 €![Health and Sickness in the Early American Novel]( "Health and Sickness in the Early American Novel")
Health and Sickness in the Early American Novel37,99 €
This book proposes that the performance of archival research is related to the experience of tourism, where an individual immerses herself in a foreign environment, relating to and analyzing visual and sensory materials through embodiment and enactment. Each chapter highlights a particular set of tangible objects including: pocket diaries, portraits, drawings, magic lanterns, silhouettes, waxworks, and photographs in relation to actresses, authors, and artists such as: Elizabeth Inchbald, Sally Siddons, Marguerite Gardiner the Countess of Blessington, Isabella Beetham, Jane Read, Madame Tussaud, and Amelia M. Watson. Ultimately, operating as an archival tourist in my analyses, I offer strategies for thinking about the presence of women artists in the archives through methodologies that seek to connect materials from the past with our representations of them in the present.
"The materials of memory provide this book's original and ambitious structural scaffolding. ... Engel's sense of wonder at the materials of memory is everywhere apparent, and her eloquent appreciation of their research potential is one of the abiding joys of this book." (Leslie Ritchie, ABO, Interactive Journal for Women in the Arts, Vol. 11 (1), 2021)
"This book itself models a practice of scholarship, one that pulls together stories of creative women's lives as they unfold to the scholar in moments of archival discovery, spectatorial surprise, and uncanny reiteration of beaten paths. On that score, Women, Performance and the Material of Memory offers rich reading." (Andrea Zemgulys, Victorian Studies, Vol. 62 (3), 2020)
"This book itself models a practice of scholarship, one that pulls together stories of creative women's lives as they unfold to the scholar in moments of archival discovery, spectatorial surprise, and uncanny reiteration of beaten paths. On that score, Women, Performance and the Material of Memory offers rich reading." (Andrea Zemgulys, Victorian Studies, Vol. 62 (3), 2020)