Covering nearly 225 years, this volume tries to capture a broad spectrum of the situation of women performers from Gerasim Lebedeff's time (1795), who are considered to be the first performers in modern Bengali theatre, to today's time.
Covering nearly 225 years, this volume tries to capture a broad spectrum of the situation of women performers from Gerasim Lebedeff's time (1795), who are considered to be the first performers in modern Bengali theatre, to today's time.
Manujendra Kundu is the Founding Editor of Springer's Book Series titled Performance Studies & Cultural Discourse in South Asia. The decade-long journalist, who worked for institutions like Anandabazar Patrika and Zee Media, did his PhD on the Third Theatre in Bengal. His book titled So Near, Yet So Far: Badal Sircar's Third Theatre was published by Oxford University Press, New Delhi, in 2016. He is an author, editor, playwright, cultural commentator, and analyst who specializes in Cultural Studies, Performance Studies, Media Studies, Tagore Studies, and the intellectual history of India.
Inhaltsangabe
* Introduction 'Home': The Repository of Polar Play-acting and Challenges of Circularity to Women's Acting out * 1: Syed Jamil Ahmed: Footprints of the Outliers: Female Performers in Colonial Eastern Bengal * 2: Devajit Bandyopadhyay: The 'Fallen Women' of Culture: An Overview of Bengali Performers from the Dark Chambers of Bengal (1795-1930s) * 3: Sumanta Banerjee: Feminine Experiences in the Bengali Stage-From patita to bhadramahila, and to Today's New patita * 4: Bishnupriya Dutt: Actresses in a Period of Transition (1947-1952): Connecting Actress Stories with Their Histories * 5: Mallarika Sinha Roy: Women in Search of a Play: Theatricality and Gender, From the IPTA to the Naxalbari Movement * 6: Kuntal Mukhopadhyay and Manujendra Kundu: Entangled in Performance: Women in Group and Commercial/Professional Theatre in Kolkata (1940s-2000s) * 7: Arijita Mukhopadhyay: Labour, Infrastructure, Division of Labour and the Position of the New Generation Women Performers in Kolkata * 8: Madhubanti De: Survival, Agency and the Politics of Compromise: The Contemporary Stage and Screen Actresses in Kolkata * 9: Samina Luthfa: Can Female Performers be Heard?: Her Stories in Theatre of Bangladesh (1950s-2010s) * 10: Aishika Chakraborty: Desire, Decadence and A "Dirty" Dancer: A Conversation with Miss Shefali * 11: Urmimala Sarkar Munsi: 'Extending' Uday Shankar's Dance Pedagogy?: Articulation of Agency in Amala Shankar's Work * 12: Prabhatkumar Das: Life of Jatra Actresses: Stories of Unending Struggle (1950s-2010s) * 13: Sudhir Chakravarti: The Enigmatic World of Sadhansanginis * 14: Urmimala Sarkar Munsi: Bonds of Labour: Nachni Women as the Dancer in the Margin * 15: Poulomi Das: Poverty to Sustenance: The Respectable/Shameful Journey of Women Performers of Sundarban
* Introduction 'Home': The Repository of Polar Play-acting and Challenges of Circularity to Women's Acting out * 1: Syed Jamil Ahmed: Footprints of the Outliers: Female Performers in Colonial Eastern Bengal * 2: Devajit Bandyopadhyay: The 'Fallen Women' of Culture: An Overview of Bengali Performers from the Dark Chambers of Bengal (1795-1930s) * 3: Sumanta Banerjee: Feminine Experiences in the Bengali Stage-From patita to bhadramahila, and to Today's New patita * 4: Bishnupriya Dutt: Actresses in a Period of Transition (1947-1952): Connecting Actress Stories with Their Histories * 5: Mallarika Sinha Roy: Women in Search of a Play: Theatricality and Gender, From the IPTA to the Naxalbari Movement * 6: Kuntal Mukhopadhyay and Manujendra Kundu: Entangled in Performance: Women in Group and Commercial/Professional Theatre in Kolkata (1940s-2000s) * 7: Arijita Mukhopadhyay: Labour, Infrastructure, Division of Labour and the Position of the New Generation Women Performers in Kolkata * 8: Madhubanti De: Survival, Agency and the Politics of Compromise: The Contemporary Stage and Screen Actresses in Kolkata * 9: Samina Luthfa: Can Female Performers be Heard?: Her Stories in Theatre of Bangladesh (1950s-2010s) * 10: Aishika Chakraborty: Desire, Decadence and A "Dirty" Dancer: A Conversation with Miss Shefali * 11: Urmimala Sarkar Munsi: 'Extending' Uday Shankar's Dance Pedagogy?: Articulation of Agency in Amala Shankar's Work * 12: Prabhatkumar Das: Life of Jatra Actresses: Stories of Unending Struggle (1950s-2010s) * 13: Sudhir Chakravarti: The Enigmatic World of Sadhansanginis * 14: Urmimala Sarkar Munsi: Bonds of Labour: Nachni Women as the Dancer in the Margin * 15: Poulomi Das: Poverty to Sustenance: The Respectable/Shameful Journey of Women Performers of Sundarban
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