Women Performers in Bengal and Bangladesh
Caught Up in the Culture of South Asia (1795-2010s)
Herausgeber: Kundu, Manujendra
Women Performers in Bengal and Bangladesh
Caught Up in the Culture of South Asia (1795-2010s)
Herausgeber: Kundu, Manujendra
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Covering nearly 225 years, this volume tries to capture a broad spectrum of the situation of women performers from Gerasim Lebedeff's time (1795), who are considered to be the first performers in modern Bengali theatre, to today's time.
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Covering nearly 225 years, this volume tries to capture a broad spectrum of the situation of women performers from Gerasim Lebedeff's time (1795), who are considered to be the first performers in modern Bengali theatre, to today's time.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Produktdetails
- Produktdetails
- Verlag: Oxford University Press
- Seitenzahl: 354
- Erscheinungstermin: 25. Februar 2024
- Englisch
- Abmessung: 140mm x 216mm x 21mm
- Gewicht: 553g
- ISBN-13: 9780192871510
- ISBN-10: 019287151X
- Artikelnr.: 69311419
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
- Verlag: Oxford University Press
- Seitenzahl: 354
- Erscheinungstermin: 25. Februar 2024
- Englisch
- Abmessung: 140mm x 216mm x 21mm
- Gewicht: 553g
- ISBN-13: 9780192871510
- ISBN-10: 019287151X
- Artikelnr.: 69311419
- Herstellerkennzeichnung
- Libri GmbH
- Europaallee 1
- 36244 Bad Hersfeld
- 06621 890
Manujendra Kundu is the Founding Editor of Springer's Book Series titled Performance Studies & Cultural Discourse in South Asia. The decade-long journalist, who worked for institutions like Anandabazar Patrika and Zee Media, did his PhD on the Third Theatre in Bengal. His book titled So Near, Yet So Far: Badal Sircar's Third Theatre was published by Oxford University Press, New Delhi, in 2016. He is an author, editor, playwright, cultural commentator, and analyst who specializes in Cultural Studies, Performance Studies, Media Studies, Tagore Studies, and the intellectual history of India.
* Introduction 'Home': The Repository of Polar Play-acting and
Challenges of Circularity to Women's Acting out
* 1: Syed Jamil Ahmed: Footprints of the Outliers: Female Performers in
Colonial Eastern Bengal
* 2: Devajit Bandyopadhyay: The 'Fallen Women' of Culture: An Overview
of Bengali Performers from the Dark Chambers of Bengal (1795-1930s)
* 3: Sumanta Banerjee: Feminine Experiences in the Bengali Stage-From
patita to bhadramahila, and to Today's New patita
* 4: Bishnupriya Dutt: Actresses in a Period of Transition (1947-1952):
Connecting Actress Stories with Their Histories
* 5: Mallarika Sinha Roy: Women in Search of a Play: Theatricality and
Gender, From the IPTA to the Naxalbari Movement
* 6: Kuntal Mukhopadhyay and Manujendra Kundu: Entangled in
Performance: Women in Group and Commercial/Professional Theatre in
Kolkata (1940s-2000s)
* 7: Arijita Mukhopadhyay: Labour, Infrastructure, Division of Labour
and the Position of the New Generation Women Performers in Kolkata
* 8: Madhubanti De: Survival, Agency and the Politics of Compromise:
The Contemporary Stage and Screen Actresses in Kolkata
* 9: Samina Luthfa: Can Female Performers be Heard?: Her Stories in
Theatre of Bangladesh (1950s-2010s)
* 10: Aishika Chakraborty: Desire, Decadence and A "Dirty" Dancer: A
Conversation with Miss Shefali
* 11: Urmimala Sarkar Munsi: 'Extending' Uday Shankar's Dance
Pedagogy?: Articulation of Agency in Amala Shankar's Work
* 12: Prabhatkumar Das: Life of Jatra Actresses: Stories of Unending
Struggle (1950s-2010s)
* 13: Sudhir Chakravarti: The Enigmatic World of Sadhansanginis
* 14: Urmimala Sarkar Munsi: Bonds of Labour: Nachni Women as the
Dancer in the Margin
* 15: Poulomi Das: Poverty to Sustenance: The Respectable/Shameful
Journey of Women Performers of Sundarban
Challenges of Circularity to Women's Acting out
* 1: Syed Jamil Ahmed: Footprints of the Outliers: Female Performers in
Colonial Eastern Bengal
* 2: Devajit Bandyopadhyay: The 'Fallen Women' of Culture: An Overview
of Bengali Performers from the Dark Chambers of Bengal (1795-1930s)
* 3: Sumanta Banerjee: Feminine Experiences in the Bengali Stage-From
patita to bhadramahila, and to Today's New patita
* 4: Bishnupriya Dutt: Actresses in a Period of Transition (1947-1952):
Connecting Actress Stories with Their Histories
* 5: Mallarika Sinha Roy: Women in Search of a Play: Theatricality and
Gender, From the IPTA to the Naxalbari Movement
* 6: Kuntal Mukhopadhyay and Manujendra Kundu: Entangled in
Performance: Women in Group and Commercial/Professional Theatre in
Kolkata (1940s-2000s)
* 7: Arijita Mukhopadhyay: Labour, Infrastructure, Division of Labour
and the Position of the New Generation Women Performers in Kolkata
* 8: Madhubanti De: Survival, Agency and the Politics of Compromise:
The Contemporary Stage and Screen Actresses in Kolkata
* 9: Samina Luthfa: Can Female Performers be Heard?: Her Stories in
Theatre of Bangladesh (1950s-2010s)
* 10: Aishika Chakraborty: Desire, Decadence and A "Dirty" Dancer: A
Conversation with Miss Shefali
* 11: Urmimala Sarkar Munsi: 'Extending' Uday Shankar's Dance
Pedagogy?: Articulation of Agency in Amala Shankar's Work
* 12: Prabhatkumar Das: Life of Jatra Actresses: Stories of Unending
Struggle (1950s-2010s)
* 13: Sudhir Chakravarti: The Enigmatic World of Sadhansanginis
* 14: Urmimala Sarkar Munsi: Bonds of Labour: Nachni Women as the
Dancer in the Margin
* 15: Poulomi Das: Poverty to Sustenance: The Respectable/Shameful
Journey of Women Performers of Sundarban
* Introduction 'Home': The Repository of Polar Play-acting and
Challenges of Circularity to Women's Acting out
* 1: Syed Jamil Ahmed: Footprints of the Outliers: Female Performers in
Colonial Eastern Bengal
* 2: Devajit Bandyopadhyay: The 'Fallen Women' of Culture: An Overview
of Bengali Performers from the Dark Chambers of Bengal (1795-1930s)
* 3: Sumanta Banerjee: Feminine Experiences in the Bengali Stage-From
patita to bhadramahila, and to Today's New patita
* 4: Bishnupriya Dutt: Actresses in a Period of Transition (1947-1952):
Connecting Actress Stories with Their Histories
* 5: Mallarika Sinha Roy: Women in Search of a Play: Theatricality and
Gender, From the IPTA to the Naxalbari Movement
* 6: Kuntal Mukhopadhyay and Manujendra Kundu: Entangled in
Performance: Women in Group and Commercial/Professional Theatre in
Kolkata (1940s-2000s)
* 7: Arijita Mukhopadhyay: Labour, Infrastructure, Division of Labour
and the Position of the New Generation Women Performers in Kolkata
* 8: Madhubanti De: Survival, Agency and the Politics of Compromise:
The Contemporary Stage and Screen Actresses in Kolkata
* 9: Samina Luthfa: Can Female Performers be Heard?: Her Stories in
Theatre of Bangladesh (1950s-2010s)
* 10: Aishika Chakraborty: Desire, Decadence and A "Dirty" Dancer: A
Conversation with Miss Shefali
* 11: Urmimala Sarkar Munsi: 'Extending' Uday Shankar's Dance
Pedagogy?: Articulation of Agency in Amala Shankar's Work
* 12: Prabhatkumar Das: Life of Jatra Actresses: Stories of Unending
Struggle (1950s-2010s)
* 13: Sudhir Chakravarti: The Enigmatic World of Sadhansanginis
* 14: Urmimala Sarkar Munsi: Bonds of Labour: Nachni Women as the
Dancer in the Margin
* 15: Poulomi Das: Poverty to Sustenance: The Respectable/Shameful
Journey of Women Performers of Sundarban
Challenges of Circularity to Women's Acting out
* 1: Syed Jamil Ahmed: Footprints of the Outliers: Female Performers in
Colonial Eastern Bengal
* 2: Devajit Bandyopadhyay: The 'Fallen Women' of Culture: An Overview
of Bengali Performers from the Dark Chambers of Bengal (1795-1930s)
* 3: Sumanta Banerjee: Feminine Experiences in the Bengali Stage-From
patita to bhadramahila, and to Today's New patita
* 4: Bishnupriya Dutt: Actresses in a Period of Transition (1947-1952):
Connecting Actress Stories with Their Histories
* 5: Mallarika Sinha Roy: Women in Search of a Play: Theatricality and
Gender, From the IPTA to the Naxalbari Movement
* 6: Kuntal Mukhopadhyay and Manujendra Kundu: Entangled in
Performance: Women in Group and Commercial/Professional Theatre in
Kolkata (1940s-2000s)
* 7: Arijita Mukhopadhyay: Labour, Infrastructure, Division of Labour
and the Position of the New Generation Women Performers in Kolkata
* 8: Madhubanti De: Survival, Agency and the Politics of Compromise:
The Contemporary Stage and Screen Actresses in Kolkata
* 9: Samina Luthfa: Can Female Performers be Heard?: Her Stories in
Theatre of Bangladesh (1950s-2010s)
* 10: Aishika Chakraborty: Desire, Decadence and A "Dirty" Dancer: A
Conversation with Miss Shefali
* 11: Urmimala Sarkar Munsi: 'Extending' Uday Shankar's Dance
Pedagogy?: Articulation of Agency in Amala Shankar's Work
* 12: Prabhatkumar Das: Life of Jatra Actresses: Stories of Unending
Struggle (1950s-2010s)
* 13: Sudhir Chakravarti: The Enigmatic World of Sadhansanginis
* 14: Urmimala Sarkar Munsi: Bonds of Labour: Nachni Women as the
Dancer in the Margin
* 15: Poulomi Das: Poverty to Sustenance: The Respectable/Shameful
Journey of Women Performers of Sundarban