Women, Poetry, and Politics in Seventeenth-Century Britain offers a new account of women's engagement in the poetic and political cultures of seventeenth-century England and Scotland, providing the first extended discussion of seventeenth-century women's political poetry in manuscript.
Women, Poetry, and Politics in Seventeenth-Century Britain offers a new account of women's engagement in the poetic and political cultures of seventeenth-century England and Scotland, providing the first extended discussion of seventeenth-century women's political poetry in manuscript.
Sarah C. E. Ross is Senior Lecturer in English at the Victoria University of Wellington. She is the editor of Katherine Austen's Book M: British Library, Additional Manuscript 4454 (ACMRS, 2011), and the author of numerous articles and chapters on early modern women's writing and manuscript culture.
Inhaltsangabe
* Introduction: She thinks not on the state? * 1: 'The right vse of Poësie': Elizabeth Melville's religious verse and Scottish Presbyterian politics * 2: 'Thou art the nursing father of all pietye': sociality, religion, and politics in Anne Southwell's verse * 3: 'When that shee heard the drums and cannon play': Jane Cavendish and occasional verse * 4: 'This kingdoms loss': Hester Pulter's elegies and emblems * 5: 'I see our nere, to be reentered paradice': Lucy Hutchinson's 'Elegies' and Order and Disorder * Conclusions
* Introduction: She thinks not on the state? * 1: 'The right vse of Poësie': Elizabeth Melville's religious verse and Scottish Presbyterian politics * 2: 'Thou art the nursing father of all pietye': sociality, religion, and politics in Anne Southwell's verse * 3: 'When that shee heard the drums and cannon play': Jane Cavendish and occasional verse * 4: 'This kingdoms loss': Hester Pulter's elegies and emblems * 5: 'I see our nere, to be reentered paradice': Lucy Hutchinson's 'Elegies' and Order and Disorder * Conclusions
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