This book brings questions and re-theorizes woman, writing, women's writing, writing across cultures. It develops recent feminist, queer and transgender theory and practice, and explores "writing across" in a number of axes. This book was originally published as a special issue of Angelaki.
This book brings questions and re-theorizes woman, writing, women's writing, writing across cultures. It develops recent feminist, queer and transgender theory and practice, and explores "writing across" in a number of axes. This book was originally published as a special issue of Angelaki.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Pelagia Goulimari teaches feminist theory, feminist writing and women's writing at the English Faculty, University of Oxford, UK. She is Co-Convenor of the interdisciplinary Oxford M.St. in Women's Studies. Her books include Literary Criticism and Theory: From Plato to Postcolonialism (2015), Toni Morrison (2011), and the edited collection Postmodernism. What Moment? (2007). She is co-founder and co-editor of Angelaki: Journal of the Theoretical Humanities.
Inhaltsangabe
Introduction - Women Writing Across Cultures: Present, Past, Future Part I: Theorizing "Woman" and "Writing" 1. A Symbiological Approach to Sex, Gender, and Desire in the Anthropocene 2. Is there Such a Thing as "Woman Writing"? Julia Kristeva, Judith Butler and Writing as Gendered Experience 3. From Symptom to the Symbolization of Receptivity: A Girl's Psychoanalytic Journey 4. Theorizing Closeness: A Trans Feminist Conversation Part II: Transnational 5. Spreading the Word: The "Woman Question" in the Periodicals A Voz Feminina and O Progresso (1868-69) 6. Encounter with the Mirror of the Other: Angela Carter and her Personal Connection with Japan 7. Transnational Theatrical Representation of the Aging: Velina Hasu Houston's Calligraphy Part III: Transtemporal: Present & Past 8. Tracing Back Trauma: The Legacy of Slavery in Contemporary Afro-Brazilian Literature by Women 9. To be or Not to be Métis: Nina Bouraoui's Embodied Memory of the Colonial Fracture 10. Constructing Selfhood through Re-voicing the Classical Past: Bernardine Evaristo, Marlene NourbeSe Philip, and Robin Coste Lewis 11.Faith, Family, and Memory in the Diaries of Jane Attwater, 1766-1834 12. Women's Voices of Renewal within Tradition: The Women of the Wall of Jerusalem Part IV: Transtemporal: Present & Future 13. Attitudes to Futurity in New German Feminisms and Contemporary Women's Fiction 14. "Aulinhas de Seduçäo" [Small Lessons in Seduction]: Clarice Lispector on How (Not) to be a Woman 15. "Does Feminism Have a Generation Gap?": Blogging, Millennials and the Hip Hop Generation 16. Feminist to Postfeminist: Contemporary Biofictions by and about Women Artists Part V: Across Discourses 17. Practice and Cultural Politics of "Women's Script": Nüshu as an Endangered Heritage in Contemporary China 18. "My main job is to translate / pain into tales they can tolerate // in another language": Women's Poetry and the Health Humanities 19. Love in the Novels of Toni Morrison 20. Ethical Ways of Seeing the Female Nude in Spanish Cinema Part VI: Writing Across Pronouns: She, He, They, Sie 21. On or about December 1930: Gender and the Writing of Lives in Virginia Woolf 22. Writing as a "sie": Reflections on Barbara Köhler's Odyssey Cycle Niemands Frau 23. They 24. Gendered Expectations: Writing Counter to my Gender 25. Writing Men Imagining Women
Introduction - Women Writing Across Cultures: Present, Past, Future Part I: Theorizing "Woman" and "Writing" 1. A Symbiological Approach to Sex, Gender, and Desire in the Anthropocene 2. Is there Such a Thing as "Woman Writing"? Julia Kristeva, Judith Butler and Writing as Gendered Experience 3. From Symptom to the Symbolization of Receptivity: A Girl's Psychoanalytic Journey 4. Theorizing Closeness: A Trans Feminist Conversation Part II: Transnational 5. Spreading the Word: The "Woman Question" in the Periodicals A Voz Feminina and O Progresso (1868-69) 6. Encounter with the Mirror of the Other: Angela Carter and her Personal Connection with Japan 7. Transnational Theatrical Representation of the Aging: Velina Hasu Houston's Calligraphy Part III: Transtemporal: Present & Past 8. Tracing Back Trauma: The Legacy of Slavery in Contemporary Afro-Brazilian Literature by Women 9. To be or Not to be Métis: Nina Bouraoui's Embodied Memory of the Colonial Fracture 10. Constructing Selfhood through Re-voicing the Classical Past: Bernardine Evaristo, Marlene NourbeSe Philip, and Robin Coste Lewis 11.Faith, Family, and Memory in the Diaries of Jane Attwater, 1766-1834 12. Women's Voices of Renewal within Tradition: The Women of the Wall of Jerusalem Part IV: Transtemporal: Present & Future 13. Attitudes to Futurity in New German Feminisms and Contemporary Women's Fiction 14. "Aulinhas de Seduçäo" [Small Lessons in Seduction]: Clarice Lispector on How (Not) to be a Woman 15. "Does Feminism Have a Generation Gap?": Blogging, Millennials and the Hip Hop Generation 16. Feminist to Postfeminist: Contemporary Biofictions by and about Women Artists Part V: Across Discourses 17. Practice and Cultural Politics of "Women's Script": Nüshu as an Endangered Heritage in Contemporary China 18. "My main job is to translate / pain into tales they can tolerate // in another language": Women's Poetry and the Health Humanities 19. Love in the Novels of Toni Morrison 20. Ethical Ways of Seeing the Female Nude in Spanish Cinema Part VI: Writing Across Pronouns: She, He, They, Sie 21. On or about December 1930: Gender and the Writing of Lives in Virginia Woolf 22. Writing as a "sie": Reflections on Barbara Köhler's Odyssey Cycle Niemands Frau 23. They 24. Gendered Expectations: Writing Counter to my Gender 25. Writing Men Imagining Women
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