This wide-ranging, interdisciplinary study of female art literature and professional networks in the nineteenth century explores work by a range of women writers from George Eliot to Vernon Lee, and repositions women as key agents in the emergence of art history as a separate intellectual field.
This wide-ranging, interdisciplinary study of female art literature and professional networks in the nineteenth century explores work by a range of women writers from George Eliot to Vernon Lee, and repositions women as key agents in the emergence of art history as a separate intellectual field.
Produktdetails
Produktdetails
Cambridge Studies in Nineteenth-Century Literature and Culture
Hilary Fraser is Executive Dean of Arts and Geoffrey Tillotson Professor of Nineteenth-Century Studies at Birkbeck, University of London. Her publications include Beauty and Belief: Aesthetics and Religion in Victorian Literature (Cambridge, 1986), The Victorians and Renaissance Italy (1992), Gender and the Victorian Periodical (with Judith Johnston and Stephanie Green, Cambridge, 2003) and Minds, Bodies, Machines, 1770-1930 (co-edited with Deirdre Coleman, 2011).
Inhaltsangabe
Introduction 1. The profession of art history 2. The art of fiction 3. Girl guides: travel, translation, ekphrasis 4. Women's periods 5. Feminine arts Conclusion.
Introduction 1. The profession of art history 2. The art of fiction 3. Girl guides: travel, translation, ekphrasis 4. Women's periods 5. Feminine arts Conclusion.
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