Women Writing Cloth: Migratory Fictions in the American Imaginary argues that cloth-work serves as a textual signifier of mobility and preservation, constituting a revolt against a devaluation of cultural heritage and a distrust of the self. Bona develops a new framework for examining analogies between weaving and storytelling, the flow of needlework across place and time, women's labor and status, and the power of cloth-work as both means and metaphor for cultural reintegration across borders.
Women Writing Cloth: Migratory Fictions in the American Imaginary argues that cloth-work serves as a textual signifier of mobility and preservation, constituting a revolt against a devaluation of cultural heritage and a distrust of the self. Bona develops a new framework for examining analogies between weaving and storytelling, the flow of needlework across place and time, women's labor and status, and the power of cloth-work as both means and metaphor for cultural reintegration across borders.
Mary Jo Bona is professor in the Department of Cultural Analysis and Theory at Stony Brook University.
Inhaltsangabe
Illustrations Preface By The Work of Their Hands Acknowledgments Chapter 1 Women Writing Cloth: An Introduction Chapter 2 Hester's Needle: Mending New-World Fragmentation in The Scarlet Letter Chapter 3 Sister's Choice and Celie's Quilted Eloquence in The Color Purple Chapter 4 The Portable Rebozo: Cisneros's Caramelo and Metafictional Histories Chapter 5 Bernardi's Openwork and Italian Women's Diasporas Epilogue È Finita. Pilón Bibliography
Illustrations Preface By The Work of Their Hands Acknowledgments Chapter 1 Women Writing Cloth: An Introduction Chapter 2 Hester's Needle: Mending New-World Fragmentation in The Scarlet Letter Chapter 3 Sister's Choice and Celie's Quilted Eloquence in The Color Purple Chapter 4 The Portable Rebozo: Cisneros's Caramelo and Metafictional Histories Chapter 5 Bernardi's Openwork and Italian Women's Diasporas Epilogue È Finita. Pilón Bibliography
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