The Artist Embodied examines how the coming-of-age-of-an-artist genre evolved from 1850-1932 in works by American women writers. Specifically, it analyzes how these authors contest patriarchy, engage with tropes of gender, race, and disability, and assert the validity of art created by women artists.
The Artist Embodied examines how the coming-of-age-of-an-artist genre evolved from 1850-1932 in works by American women writers. Specifically, it analyzes how these authors contest patriarchy, engage with tropes of gender, race, and disability, and assert the validity of art created by women artists.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Chapter One: Individuality and the Embodiment of Inequality in E.D.E.N. Southworth's The Deserted Wife Chapter Two: Disabling Marriage and the Woman Artist in Elizabeth Stuart Phelps's The Story of Avis Chapter Three: Embracing Fate: Artistry and Autonomy in Kate Chopin's The Awakening Chapter Four: 'That sensuous form': Corporeal Artistic Creation in Willa Cather's The Song of the Lark Chapter Five: The Body at Play: Artistic Passing in Jessie Fauset's Plum Bun Chapter Six: The Cult of Artistry in Zelda Fitzgerald's Save me the Waltz
Chapter One: Individuality and the Embodiment of Inequality in E.D.E.N. Southworth's The Deserted Wife Chapter Two: Disabling Marriage and the Woman Artist in Elizabeth Stuart Phelps's The Story of Avis Chapter Three: Embracing Fate: Artistry and Autonomy in Kate Chopin's The Awakening Chapter Four: 'That sensuous form': Corporeal Artistic Creation in Willa Cather's The Song of the Lark Chapter Five: The Body at Play: Artistic Passing in Jessie Fauset's Plum Bun Chapter Six: The Cult of Artistry in Zelda Fitzgerald's Save me the Waltz
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