Robin Blaetz is Associate Professor and Chair of the Film Studies Program at Mount Holyoke College. She is the author of Visions of the Maid: Joan of Arc in American Film and Culture.
Inhaltsangabe
Acknowledgments ix Introduction: Women’s Experimental Cinema: Critical Frameworks / Robin Blaetz 1 Swing and Sway: Marie Menken’s Filmic Events / Melissa Ragona 20 Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland / Paul Arthur 45 Evacuating Visual Fields, Layering Auditory Frames: Signature, Translation, Resonance, and Gunvor Nelson’s Films / Chris Holmlund 67 Moving and Moving: From Minimalism to Lives of Performers / Noel Carroll 89 Eye/Body: The Cinematic Paintings of Carolee Schneemann / M.M. Serra and Kathryn Ramey 103 “Absently Enchanted”: The Apocryphal, Ecstatic Cinema of Barbara Rubin / Ara Osterweil 127 Amy Greenfield: Film, Dynamic Movement, and Transformation / Robert A. Haller 152 Barbara Hammer: Lyrics and History / Chuck Kleinhans 167 Chick Strand’s Experimental Ethnography / Maria Pramaggiore 188 Amnesis Time: The Films of Marjorie Keller / Robin Blaetz 211 In the Ruins of the Image: The Work of Leslie Thornton / Mary Ann Doane 239 Sounds, Intervals, and Startling Images in the Films of Abigail Child / Maureen Turim 263 Peggy’s Playhouse: Contesting the Modernist Paradigm / William C. Wees 290 Su Friedrich: Breaking the Rules / Janet Cutler 312 The Experimental “Dunyementary”: A Cinematic Signature Effect / Kathleen McHugh 339 Women’s Experimental Cinema: Some Pedgogical Challenges / Scott Macdonald 360 Appendix: Film Distribution 383 Bibliography 385 Contributors 401 Index 405
Acknowledgments ix Introduction: Women’s Experimental Cinema: Critical Frameworks / Robin Blaetz 1 Swing and Sway: Marie Menken’s Filmic Events / Melissa Ragona 20 Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland / Paul Arthur 45 Evacuating Visual Fields, Layering Auditory Frames: Signature, Translation, Resonance, and Gunvor Nelson’s Films / Chris Holmlund 67 Moving and Moving: From Minimalism to Lives of Performers / Noel Carroll 89 Eye/Body: The Cinematic Paintings of Carolee Schneemann / M.M. Serra and Kathryn Ramey 103 “Absently Enchanted”: The Apocryphal, Ecstatic Cinema of Barbara Rubin / Ara Osterweil 127 Amy Greenfield: Film, Dynamic Movement, and Transformation / Robert A. Haller 152 Barbara Hammer: Lyrics and History / Chuck Kleinhans 167 Chick Strand’s Experimental Ethnography / Maria Pramaggiore 188 Amnesis Time: The Films of Marjorie Keller / Robin Blaetz 211 In the Ruins of the Image: The Work of Leslie Thornton / Mary Ann Doane 239 Sounds, Intervals, and Startling Images in the Films of Abigail Child / Maureen Turim 263 Peggy’s Playhouse: Contesting the Modernist Paradigm / William C. Wees 290 Su Friedrich: Breaking the Rules / Janet Cutler 312 The Experimental “Dunyementary”: A Cinematic Signature Effect / Kathleen McHugh 339 Women’s Experimental Cinema: Some Pedgogical Challenges / Scott Macdonald 360 Appendix: Film Distribution 383 Bibliography 385 Contributors 401 Index 405
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