Collection of critical essays on 16 different filmmakers, including Yvonne Rainer, Barbara Hammer, and Cheryl Dunye.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Robin Blaetz is Associate Professor and Chair of the Film Studies Program at Mount Holyoke College. She is the author of Visions of the Maid: Joan of Arc in American Film and Culture.
Inhaltsangabe
Acknowledgments ix Introduction: Women’s Experimental Cinema: Critical Frameworks / Robin Blaetz 1 Swing and Sway: Marie Menken’s Filmic Events / Melissa Ragona 20 Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland / Paul Arthur 45 Evacuating Visual Fields, Layering Auditory Frames: Signature, Translation, Resonance, and Gunvor Nelson’s Films / Chris Holmlund 67 Moving and Moving: From Minimalism to Lives of Performers / Noel Carroll 89 Eye/Body: The Cinematic Paintings of Carolee Schneemann / M.M. Serra and Kathryn Ramey 103 “Absently Enchanted”: The Apocryphal, Ecstatic Cinema of Barbara Rubin / Ara Osterweil 127 Amy Greenfield: Film, Dynamic Movement, and Transformation / Robert A. Haller 152 Barbara Hammer: Lyrics and History / Chuck Kleinhans 167 Chick Strand’s Experimental Ethnography / Maria Pramaggiore 188 Amnesis Time: The Films of Marjorie Keller / Robin Blaetz 211 In the Ruins of the Image: The Work of Leslie Thornton / Mary Ann Doane 239 Sounds, Intervals, and Startling Images in the Films of Abigail Child / Maureen Turim 263 Peggy’s Playhouse: Contesting the Modernist Paradigm / William C. Wees 290 Su Friedrich: Breaking the Rules / Janet Cutler 312 The Experimental “Dunyementary”: A Cinematic Signature Effect / Kathleen McHugh 339 Women’s Experimental Cinema: Some Pedgogical Challenges / Scott Macdonald 360 Appendix: Film Distribution 383 Bibliography 385 Contributors 401 Index 405
Acknowledgments ix Introduction: Women’s Experimental Cinema: Critical Frameworks / Robin Blaetz 1 Swing and Sway: Marie Menken’s Filmic Events / Melissa Ragona 20 Different/Same/Both/Neither: The Polycentric Cinema of Joyce Wieland / Paul Arthur 45 Evacuating Visual Fields, Layering Auditory Frames: Signature, Translation, Resonance, and Gunvor Nelson’s Films / Chris Holmlund 67 Moving and Moving: From Minimalism to Lives of Performers / Noel Carroll 89 Eye/Body: The Cinematic Paintings of Carolee Schneemann / M.M. Serra and Kathryn Ramey 103 “Absently Enchanted”: The Apocryphal, Ecstatic Cinema of Barbara Rubin / Ara Osterweil 127 Amy Greenfield: Film, Dynamic Movement, and Transformation / Robert A. Haller 152 Barbara Hammer: Lyrics and History / Chuck Kleinhans 167 Chick Strand’s Experimental Ethnography / Maria Pramaggiore 188 Amnesis Time: The Films of Marjorie Keller / Robin Blaetz 211 In the Ruins of the Image: The Work of Leslie Thornton / Mary Ann Doane 239 Sounds, Intervals, and Startling Images in the Films of Abigail Child / Maureen Turim 263 Peggy’s Playhouse: Contesting the Modernist Paradigm / William C. Wees 290 Su Friedrich: Breaking the Rules / Janet Cutler 312 The Experimental “Dunyementary”: A Cinematic Signature Effect / Kathleen McHugh 339 Women’s Experimental Cinema: Some Pedgogical Challenges / Scott Macdonald 360 Appendix: Film Distribution 383 Bibliography 385 Contributors 401 Index 405
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