The book offers a study of Victorian and neo-Victorian women as portrayed on the pages of the selected nineteenth-century novels and modern, revisionary works. Immersed in the wide socio-cultural context of the Victorian era, the study binds Bakhtin's dialogical approach with Genette's intertextuality.
The book offers a study of Victorian and neo-Victorian women as portrayed on the pages of the selected nineteenth-century novels and modern, revisionary works. Immersed in the wide socio-cultural context of the Victorian era, the study binds Bakhtin's dialogical approach with Genette's intertextuality.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Preface Acknowledgements Part I Chapter One: Dialogue in Revisionary Fiction Chapter Two: Intertextuality: Creating Theoretical Framework for a Literary Debate Chapter Three: Intertextuality in Practice: Examining the Literary World Chapter Four: The Novel Domesticated in the Victorian World Chapter Five: The Victorian Novel and Social Debate Chapter Six: Profits, Ideals, and the "Self": Victorian Ambiguities Re-discovered in Literature Chapter Seven: The Woman Question or Women Questions? Chapter Eight: The Ethics of the Past and the Present: The Nineteenth Century Re-imagined in the Modern World Chapter Nine: Beyond Nostalgia: Filling the Modern Culture with Victorianism Chapter Ten: Women and Spiritual Revival Chapter Eleven: Women and Family in the Neo-Victorian Novel Part II: The Neo-Victorian Novel: Women Characters Re-introduced in Intertextual Dialogue Chapter Twelve: The New Woman Restaged: The Madwoman in the Library and the Man in Ruskin's Garden in Gail Carriger's Soulless Chapter Thirteen: Women and their Apparel in Victorian an Neo-Victorian Texts: Constructing Women Characters by Means of Fashion Chapter Fourteen: Diving Deeper into Fashion: Clothes in Wilkie Collins' The Woman in White and in Gail Carriger's Soulless Chapter Fifteen: Voice and Identity in the Victorian and Neo-Victorian Novel: Charlotte Brontë's Jane Eyre, Jean Rhys' Wide Sargasso Sea and Clare Boylan's Emma Brown Chapter Sixteen: Nameless and Voiceless: Clare Boylan's Emma Brown and Jean Rhys' Wide Sargasso Sea Chapter Seventeen: Neo-Victorian Biofiction: Syrie James' The Secret Diaries of Charlotte Brontë and the Biography Retold Epilogue Bibliography About the Author
Preface Acknowledgements Part I Chapter One: Dialogue in Revisionary Fiction Chapter Two: Intertextuality: Creating Theoretical Framework for a Literary Debate Chapter Three: Intertextuality in Practice: Examining the Literary World Chapter Four: The Novel Domesticated in the Victorian World Chapter Five: The Victorian Novel and Social Debate Chapter Six: Profits, Ideals, and the "Self": Victorian Ambiguities Re-discovered in Literature Chapter Seven: The Woman Question or Women Questions? Chapter Eight: The Ethics of the Past and the Present: The Nineteenth Century Re-imagined in the Modern World Chapter Nine: Beyond Nostalgia: Filling the Modern Culture with Victorianism Chapter Ten: Women and Spiritual Revival Chapter Eleven: Women and Family in the Neo-Victorian Novel Part II: The Neo-Victorian Novel: Women Characters Re-introduced in Intertextual Dialogue Chapter Twelve: The New Woman Restaged: The Madwoman in the Library and the Man in Ruskin's Garden in Gail Carriger's Soulless Chapter Thirteen: Women and their Apparel in Victorian an Neo-Victorian Texts: Constructing Women Characters by Means of Fashion Chapter Fourteen: Diving Deeper into Fashion: Clothes in Wilkie Collins' The Woman in White and in Gail Carriger's Soulless Chapter Fifteen: Voice and Identity in the Victorian and Neo-Victorian Novel: Charlotte Brontë's Jane Eyre, Jean Rhys' Wide Sargasso Sea and Clare Boylan's Emma Brown Chapter Sixteen: Nameless and Voiceless: Clare Boylan's Emma Brown and Jean Rhys' Wide Sargasso Sea Chapter Seventeen: Neo-Victorian Biofiction: Syrie James' The Secret Diaries of Charlotte Brontë and the Biography Retold Epilogue Bibliography About the Author
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