Aleksandra Tryniecka
Women's Literary Portraits in the Victorian and Neo-Victorian Novel
An Intertextual Study
Aleksandra Tryniecka
Women's Literary Portraits in the Victorian and Neo-Victorian Novel
An Intertextual Study
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The book offers a study of Victorian and neo-Victorian women as portrayed on the pages of the selected nineteenth-century novels and modern, revisionary works. Immersed in the wide socio-cultural context of the Victorian era, the study binds Bakhtin's dialogical approach with Genette's intertextuality.
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The book offers a study of Victorian and neo-Victorian women as portrayed on the pages of the selected nineteenth-century novels and modern, revisionary works. Immersed in the wide socio-cultural context of the Victorian era, the study binds Bakhtin's dialogical approach with Genette's intertextuality.
Produktdetails
- Produktdetails
- Verlag: Lexington Books
- Seitenzahl: 262
- Erscheinungstermin: 10. Januar 2023
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 583g
- ISBN-13: 9781666905779
- ISBN-10: 1666905771
- Artikelnr.: 66352415
- Verlag: Lexington Books
- Seitenzahl: 262
- Erscheinungstermin: 10. Januar 2023
- Englisch
- Abmessung: 235mm x 157mm x 20mm
- Gewicht: 583g
- ISBN-13: 9781666905779
- ISBN-10: 1666905771
- Artikelnr.: 66352415
Aleksandra Tryniecka is Assistant Professor at Maria Curie-Sk¿odowska University in Lublin, Poland, a children¿s author and an illustrator.
Preface
Acknowledgements
Part I
Chapter One: Dialogue in Revisionary Fiction
Chapter Two: Intertextuality: Creating Theoretical Framework for a Literary
Debate
Chapter Three: Intertextuality in Practice: Examining the Literary World
Chapter Four: The Novel Domesticated in the Victorian World
Chapter Five: The Victorian Novel and Social Debate
Chapter Six: Profits, Ideals, and the "Self": Victorian Ambiguities
Re-discovered in Literature
Chapter Seven: The Woman Question or Women Questions?
Chapter Eight: The Ethics of the Past and the Present: The Nineteenth
Century Re-imagined in the Modern World
Chapter Nine: Beyond Nostalgia: Filling the Modern Culture with
Victorianism
Chapter Ten: Women and Spiritual Revival
Chapter Eleven: Women and Family in the Neo-Victorian Novel
Part II: The Neo-Victorian Novel: Women Characters Re-introduced in
Intertextual Dialogue
Chapter Twelve: The New Woman Restaged: The Madwoman in the Library and the
Man in Ruskin's Garden in Gail Carriger's Soulless
Chapter Thirteen: Women and their Apparel in Victorian an Neo-Victorian
Texts: Constructing Women Characters by Means of Fashion
Chapter Fourteen: Diving Deeper into Fashion: Clothes in Wilkie Collins'
The Woman in White and in Gail Carriger's Soulless
Chapter Fifteen: Voice and Identity in the Victorian and Neo-Victorian
Novel: Charlotte Brontë's Jane Eyre, Jean Rhys' Wide Sargasso Sea and Clare
Boylan's Emma Brown
Chapter Sixteen: Nameless and Voiceless: Clare Boylan's Emma Brown and Jean
Rhys' Wide Sargasso Sea
Chapter Seventeen: Neo-Victorian Biofiction: Syrie James' The Secret
Diaries of Charlotte Brontë and the Biography Retold
Epilogue
Bibliography
About the Author
Acknowledgements
Part I
Chapter One: Dialogue in Revisionary Fiction
Chapter Two: Intertextuality: Creating Theoretical Framework for a Literary
Debate
Chapter Three: Intertextuality in Practice: Examining the Literary World
Chapter Four: The Novel Domesticated in the Victorian World
Chapter Five: The Victorian Novel and Social Debate
Chapter Six: Profits, Ideals, and the "Self": Victorian Ambiguities
Re-discovered in Literature
Chapter Seven: The Woman Question or Women Questions?
Chapter Eight: The Ethics of the Past and the Present: The Nineteenth
Century Re-imagined in the Modern World
Chapter Nine: Beyond Nostalgia: Filling the Modern Culture with
Victorianism
Chapter Ten: Women and Spiritual Revival
Chapter Eleven: Women and Family in the Neo-Victorian Novel
Part II: The Neo-Victorian Novel: Women Characters Re-introduced in
Intertextual Dialogue
Chapter Twelve: The New Woman Restaged: The Madwoman in the Library and the
Man in Ruskin's Garden in Gail Carriger's Soulless
Chapter Thirteen: Women and their Apparel in Victorian an Neo-Victorian
Texts: Constructing Women Characters by Means of Fashion
Chapter Fourteen: Diving Deeper into Fashion: Clothes in Wilkie Collins'
The Woman in White and in Gail Carriger's Soulless
Chapter Fifteen: Voice and Identity in the Victorian and Neo-Victorian
Novel: Charlotte Brontë's Jane Eyre, Jean Rhys' Wide Sargasso Sea and Clare
Boylan's Emma Brown
Chapter Sixteen: Nameless and Voiceless: Clare Boylan's Emma Brown and Jean
Rhys' Wide Sargasso Sea
Chapter Seventeen: Neo-Victorian Biofiction: Syrie James' The Secret
Diaries of Charlotte Brontë and the Biography Retold
Epilogue
Bibliography
About the Author
Preface
Acknowledgements
Part I
Chapter One: Dialogue in Revisionary Fiction
Chapter Two: Intertextuality: Creating Theoretical Framework for a Literary
Debate
Chapter Three: Intertextuality in Practice: Examining the Literary World
Chapter Four: The Novel Domesticated in the Victorian World
Chapter Five: The Victorian Novel and Social Debate
Chapter Six: Profits, Ideals, and the "Self": Victorian Ambiguities
Re-discovered in Literature
Chapter Seven: The Woman Question or Women Questions?
Chapter Eight: The Ethics of the Past and the Present: The Nineteenth
Century Re-imagined in the Modern World
Chapter Nine: Beyond Nostalgia: Filling the Modern Culture with
Victorianism
Chapter Ten: Women and Spiritual Revival
Chapter Eleven: Women and Family in the Neo-Victorian Novel
Part II: The Neo-Victorian Novel: Women Characters Re-introduced in
Intertextual Dialogue
Chapter Twelve: The New Woman Restaged: The Madwoman in the Library and the
Man in Ruskin's Garden in Gail Carriger's Soulless
Chapter Thirteen: Women and their Apparel in Victorian an Neo-Victorian
Texts: Constructing Women Characters by Means of Fashion
Chapter Fourteen: Diving Deeper into Fashion: Clothes in Wilkie Collins'
The Woman in White and in Gail Carriger's Soulless
Chapter Fifteen: Voice and Identity in the Victorian and Neo-Victorian
Novel: Charlotte Brontë's Jane Eyre, Jean Rhys' Wide Sargasso Sea and Clare
Boylan's Emma Brown
Chapter Sixteen: Nameless and Voiceless: Clare Boylan's Emma Brown and Jean
Rhys' Wide Sargasso Sea
Chapter Seventeen: Neo-Victorian Biofiction: Syrie James' The Secret
Diaries of Charlotte Brontë and the Biography Retold
Epilogue
Bibliography
About the Author
Acknowledgements
Part I
Chapter One: Dialogue in Revisionary Fiction
Chapter Two: Intertextuality: Creating Theoretical Framework for a Literary
Debate
Chapter Three: Intertextuality in Practice: Examining the Literary World
Chapter Four: The Novel Domesticated in the Victorian World
Chapter Five: The Victorian Novel and Social Debate
Chapter Six: Profits, Ideals, and the "Self": Victorian Ambiguities
Re-discovered in Literature
Chapter Seven: The Woman Question or Women Questions?
Chapter Eight: The Ethics of the Past and the Present: The Nineteenth
Century Re-imagined in the Modern World
Chapter Nine: Beyond Nostalgia: Filling the Modern Culture with
Victorianism
Chapter Ten: Women and Spiritual Revival
Chapter Eleven: Women and Family in the Neo-Victorian Novel
Part II: The Neo-Victorian Novel: Women Characters Re-introduced in
Intertextual Dialogue
Chapter Twelve: The New Woman Restaged: The Madwoman in the Library and the
Man in Ruskin's Garden in Gail Carriger's Soulless
Chapter Thirteen: Women and their Apparel in Victorian an Neo-Victorian
Texts: Constructing Women Characters by Means of Fashion
Chapter Fourteen: Diving Deeper into Fashion: Clothes in Wilkie Collins'
The Woman in White and in Gail Carriger's Soulless
Chapter Fifteen: Voice and Identity in the Victorian and Neo-Victorian
Novel: Charlotte Brontë's Jane Eyre, Jean Rhys' Wide Sargasso Sea and Clare
Boylan's Emma Brown
Chapter Sixteen: Nameless and Voiceless: Clare Boylan's Emma Brown and Jean
Rhys' Wide Sargasso Sea
Chapter Seventeen: Neo-Victorian Biofiction: Syrie James' The Secret
Diaries of Charlotte Brontë and the Biography Retold
Epilogue
Bibliography
About the Author