Women's Performative Writing and Identity Construction in the Japanese Empire analyzes how texts from Japan and its former colonies and territories represent the changing institutions of education, marriage, family, and labor under imperialism, arguing that women writers constructed their sense of self through their fiction and nonfiction works.
Women's Performative Writing and Identity Construction in the Japanese Empire analyzes how texts from Japan and its former colonies and territories represent the changing institutions of education, marriage, family, and labor under imperialism, arguing that women writers constructed their sense of self through their fiction and nonfiction works.
Satoko Kakihara is associate professor of Japanese at California State University, Fullerton.
Inhaltsangabe
Acknowledgments Introduction: Writing and the Greater East Asian Co-Prosperity Sphere Chapter One: Education-Students and the Language of Establishing Imperial Identities Chapter Two: Marriage-Hani Motoko and the Everyday Contradictions of Love and Happiness Chapter Three: Family-Chang T¿k-cho and the Resistance of Communities of Women Chapter Four: Labor-Yang Ch'ien-Ho and the Living of Modern Selfhood Conclusion. Womanhood Between Theory and Practice Bibliography About the Author
Acknowledgments Introduction: Writing and the Greater East Asian Co-Prosperity Sphere Chapter One: Education-Students and the Language of Establishing Imperial Identities Chapter Two: Marriage-Hani Motoko and the Everyday Contradictions of Love and Happiness Chapter Three: Family-Chang T¿k-cho and the Resistance of Communities of Women Chapter Four: Labor-Yang Ch'ien-Ho and the Living of Modern Selfhood Conclusion. Womanhood Between Theory and Practice Bibliography About the Author
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