Women's Periodicals and Print Culture in Britain, 1918-1939
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This collection of new essays recovers and explores a neglected archive of women's print media and dispels the myth of the interwar decades as a retreat to 'home and duty' for women.

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Produktbeschreibung
This collection of new essays recovers and explores a neglected archive of women's print media and dispels the myth of the interwar decades as a retreat to 'home and duty' for women.
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Autorenporträt
Catherine Clay is Senior Lecturer in English at Nottingham Trent University. She is author of British Women Writers 1914-1945: Professional Work and Friendship (Ashgate, 2006) and has published articles and book chapters on interwar women's writing and women's journalism. Her new monograph, Time and Tide: the Feminist and Cultural Politics of a Modern Magazine, is forthcoming with Edinburgh University Press. Maria DiCenzo is Professor of English at Wilfrid Laurier University. She has published on the British suffrage press in journals such as Media History and Women's History Review. She co-edited Feminism and the Periodical Press, 1900-1918 (Routledge, 2005) and authored Feminist Media History: Suffrage, Periodicals and the Public Sphere (Palgrave, 2011) with Lucy Delap and Leila Ryan. Her current research examines British and international feminist activism and periodicals in the interwar period. Barbara Green is Associate Professor of English and Concurrent Professor in Gender Studies at the University of Notre Dame. She is the author of Spectacular Confessions: Autobiography, Performative Activism, and the Sites of Suffrage (Palgrave, 1997), the forthcoming, Feminist Periodicals and Daily Life: Women and Modernity in British Culture and co-editor of the Journal of Modern Periodical Studies. Fiona Hackney is Professor in Fashion and Textiles Theories at Wolverhampton University. Her forthcoming monograph Women's Magazines and the Feminine Imagination: Opening up a New World for Women in Interwar Britain will be published by I.B.Tauris. She has published widely on women, design, and the decorative arts, and is Principal Investigator on a number of Arts and Humanities Research Council projects exploring the value of creative making and maker spaces as a means of community engagement.