This study examines women poets and their poetry in late imperial China. The author explores the poetic forms and devices women poets employed, places their work into the context of the wider literary history of the period, and analyzes how they asserted their own agency to negotiate their literary, social, and political concerns.
This study examines women poets and their poetry in late imperial China. The author explores the poetic forms and devices women poets employed, places their work into the context of the wider literary history of the period, and analyzes how they asserted their own agency to negotiate their literary, social, and political concerns.
Haihong Yang is assistant professor of Chinese in the Department of Languages, Literatures, and Cultures at the University of Delaware.
Inhaltsangabe
Chapter 1: "Weaving Looms in Hundreds of Rooms": Women-Authored Criticism in Late Imperial China Chapter 2: The Female Recluse: The Trope of Withdrawal and Self-Representation in Poems by Two Late Ming/Early Qing Women Writers Chapter 3: Playful Seriousness: Women's "Teasingly Composed" Poems Chapter 4: "To Blaze One's Own Path": Allusion and Renovated Subjectivity in Women's Poetry Chapter 5: "New Wine in Old Bottles": Classical Poems by Women Writers in the New Media at the Turn of the Twentieth Century
Chapter 1: "Weaving Looms in Hundreds of Rooms": Women-Authored Criticism in Late Imperial China Chapter 2: The Female Recluse: The Trope of Withdrawal and Self-Representation in Poems by Two Late Ming/Early Qing Women Writers Chapter 3: Playful Seriousness: Women's "Teasingly Composed" Poems Chapter 4: "To Blaze One's Own Path": Allusion and Renovated Subjectivity in Women's Poetry Chapter 5: "New Wine in Old Bottles": Classical Poems by Women Writers in the New Media at the Turn of the Twentieth Century
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