Women's Representation in Virginia Woolf's Works
A dialogue between her political and aesthetic project
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"The approach here is to focus upon Woolf's fusions of politics and aesthetics, in a complex interweaving of questions regarding the aestheticization of the political (through studies of A Room of One's Own and Three Guineas), and the politicization of the aesthetics (in To The Lighthouse and Mrs Dalloway). This is a sophisticated argument about unities in Virginia Woolf's diverse work genres, her political essays and novels, asking what links them? In reconsidering the essays in a new way, Maria focuses on Woolf's "writing strategies", her "thinking process", a network of connections "to show...
"The approach here is to focus upon Woolf's fusions of politics and aesthetics, in a complex interweaving of questions regarding the aestheticization of the political (through studies of A Room of One's Own and Three Guineas), and the politicization of the aesthetics (in To The Lighthouse and Mrs Dalloway). This is a sophisticated argument about unities in Virginia Woolf's diverse work genres, her political essays and novels, asking what links them? In reconsidering the essays in a new way, Maria focuses on Woolf's "writing strategies", her "thinking process", a network of connections "to show how her political project is intrinsically linked to her aesthetic project, and her "vision of feminism."" Suzanne Bellamy
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