This book applies insights from feminist theology to highlight spiritual themes in twentieth-century fiction by women writers. The author traces the way women writers of the twentieth century have not only challenged religious discourse but employed spiritual themes in order to explore more fluid possibilities of gender and identity. The book is wide-ranging in its choice of authors. As well as British and American writers, Irish, African-American, Canadian, Jewish and Caribbean women writers are discussed. Spirituality in women's fiction embraces a wide range of themes. After an introductory chapter sketching out developments in feminist theology for the non-specialist reader, there are chapters on the convent school and the role of the Virgin Mary, the Goddess, the female mystic, womanist spirituality and ecofeminism. The book demonstrates the way in which many women writers attempt to preserve a dialogue between traditional religious discourse and women's contemporary religious experience. The determinedly secular stance of much feminist literary criticism has led to a downplaying of spiritual themes in twentieth-century women's fiction. This study provides a bridge between feminist literary criticism and feminist theology.
«Published in the series Religions and Discourse, Heather Ingman's book is a much needed contribution to the field of feminist theologies and literary criticism where there have hardly been any comprehensive publications. Her study is a welcome addition to the explorations of spiritual themes by women writers in the twentieth century since it introduces the vast field of feminist theologies in a short way, applying the insights of this polyphonic discipline to analyze literary texts.» (Birgit Breninger, American Studies)