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This book is about mapping the future of eighteenth-century women's writing and feminist literary history, in an academic culture that is not shy of declaring their obsolescence. It asks: what can or should unite us as scholars devoted to the recovery and study of women's literary history in an era of big data, on the one hand, and ever more narrowly defined specialization, on the other? Leading scholars from the UK and US answer this question in thought-provoking, cross-disciplinary and often polemical essays. Contributors attend to the achievements of eighteenth-century women writers and the…mehr

Produktbeschreibung
This book is about mapping the future of eighteenth-century women's writing and feminist literary history, in an academic culture that is not shy of declaring their obsolescence. It asks: what can or should unite us as scholars devoted to the recovery and study of women's literary history in an era of big data, on the one hand, and ever more narrowly defined specialization, on the other? Leading scholars from the UK and US answer this question in thought-provoking, cross-disciplinary and often polemical essays. Contributors attend to the achievements of eighteenth-century women writers and the scholars who have devoted their lives to them, and map new directions for the advancement of research in the area. They collectively argue that eighteenth-century women's literary history has a future, and that feminism was, and always should be, at its heart.
Featuring a Preface by Isobel Grundy, and a Postscript by Cora Kaplan.

Autorenporträt
Jennie Batchelor is Reader in Eighteenth-Century Studies at the University of Kent, UK. Her latest book, Women's Work, was issued in paperback in 2014. With Cora Kaplan, she is Co-Series Editor of Palgrave's History of British Women's Writing (2010-). She is currently working on the first women's magazines.  Gillian Dow is Associate Professor in English at the University of Southampton, UK, and Executive Director of Chawton House Library. She is the editor of several collections focusing on women writers, most recently, with Clare Hanson, Uses of Austen: Jane's Afterlives (Palgrave, 2012). Her monograph in progress focuses on Romantic-Period translation and the novel.  
Rezensionen
"This is a brave and challenging Book. ...we need to engage seriously with aesthetics and dare to make judgments, Most provocatively, she asks us to theorize and develop new methodologies appropriate to the very category of 'woman writer.'" (Paula R. Backscheider, Early Modern Women Journal, Vol. 13 (2), 2019)