This study discusses the influences, crossovers, and multiple genres through which women writers represent a changed and changing Canada.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Patricia Demers is a distinguished university professor in the Department of English and Film Studies at the University of Alberta.
Inhaltsangabe
Preface Acknowledgments Introduction: Imag(in)ing the National Terrain from the Mid-twentieth Century to the Sesquicentennial Approaching National Literature Women in the Linked Roles of Reading and Writing The Commissions: From Massey to Truth and Reconciliation From Total Refusal and the Quiet Revolution to Cultural Accommodation New Images of Movement and Diversity Fiction Prospects at Mid-Century Wrestling with the Strictures of Marriage and Family Revolutionary Talents and Experiments Flowering Careers in the Sixties Trajectories of Celebrity: Munro and Atwood The Tangle of Domesticity and Independence Rhizomes of Sexuality, Nation, Race, and Ethnicity Extensions in 2017 Film Original Screenplays Adaptations of Women’s Writing in Canada Documentaries Poetry Jaques, Livesay, Waddington, and Page: "fired in the kiln of endurance" P.K. Page: Onlooker and Participant Wilkinson, Brewster, Avison, and Macpherson: "clearing the hurdles of sleep" MacEwen and Atwood: "the slow striptease of our concepts" Webb, Lowther, Marlatt, and Brossard: "the way any of us are tangled in the past" Tostevin, Brand, Halfe, and Dumont: "their fragile, fragile symmetries of gain and loss" Crozier, Moure, Zwicky, Carson, Michaels, Bolster, and Shraya: "the truth likes to hide out in the open" Karen Solie: "poetic hipster" Music Folk Singers Reclaiming Traditions Punk, Pop, and Country Adult Contemporary Styling Drama Ringwood: Canadian Drama’s Foremother Joudry, Hendry, and Simons: Examining Emotions Pollock and Bolt: Re-viewing History and Power Politics Sharon Pollock: "meaning through the making of theatre" Ritter, Glass, Clark, and Lill: Enacting Vulnerabilities Thompson and MacDonald: Performing Marginalization and Shape-Shifting Judith Thompson: "through the looking glass, darkly" Gale, Sears, Mojica, Cheechoo, Nolan, and Clements: Recording "Documemories" MacLeod, Moscovitch, and Chatterton: Exploring Impasses Writing for Children Fiction about Children and Young Adults Other Times and Space of Fantasy Illustrated Narratives Non-fiction Memoirists and Autobiographers Commentators on Our World Advisors and Observers Conclusion Timeline Notes Works Cited Credits Index
Preface Acknowledgments Introduction: Imag(in)ing the National Terrain from the Mid-twentieth Century to the Sesquicentennial Approaching National Literature Women in the Linked Roles of Reading and Writing The Commissions: From Massey to Truth and Reconciliation From Total Refusal and the Quiet Revolution to Cultural Accommodation New Images of Movement and Diversity Fiction Prospects at Mid-Century Wrestling with the Strictures of Marriage and Family Revolutionary Talents and Experiments Flowering Careers in the Sixties Trajectories of Celebrity: Munro and Atwood The Tangle of Domesticity and Independence Rhizomes of Sexuality, Nation, Race, and Ethnicity Extensions in 2017 Film Original Screenplays Adaptations of Women’s Writing in Canada Documentaries Poetry Jaques, Livesay, Waddington, and Page: "fired in the kiln of endurance" P.K. Page: Onlooker and Participant Wilkinson, Brewster, Avison, and Macpherson: "clearing the hurdles of sleep" MacEwen and Atwood: "the slow striptease of our concepts" Webb, Lowther, Marlatt, and Brossard: "the way any of us are tangled in the past" Tostevin, Brand, Halfe, and Dumont: "their fragile, fragile symmetries of gain and loss" Crozier, Moure, Zwicky, Carson, Michaels, Bolster, and Shraya: "the truth likes to hide out in the open" Karen Solie: "poetic hipster" Music Folk Singers Reclaiming Traditions Punk, Pop, and Country Adult Contemporary Styling Drama Ringwood: Canadian Drama’s Foremother Joudry, Hendry, and Simons: Examining Emotions Pollock and Bolt: Re-viewing History and Power Politics Sharon Pollock: "meaning through the making of theatre" Ritter, Glass, Clark, and Lill: Enacting Vulnerabilities Thompson and MacDonald: Performing Marginalization and Shape-Shifting Judith Thompson: "through the looking glass, darkly" Gale, Sears, Mojica, Cheechoo, Nolan, and Clements: Recording "Documemories" MacLeod, Moscovitch, and Chatterton: Exploring Impasses Writing for Children Fiction about Children and Young Adults Other Times and Space of Fantasy Illustrated Narratives Non-fiction Memoirists and Autobiographers Commentators on Our World Advisors and Observers Conclusion Timeline Notes Works Cited Credits Index
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