By considering works including Friar Bacon and Friar Bungay, the revised Spanish Tragedy, and The Tempest, Nardizzi demonstrates how the "trees" within them were used in imaginative ways to mediate England's resource crisis.
By considering works including Friar Bacon and Friar Bungay, the revised Spanish Tragedy, and The Tempest, Nardizzi demonstrates how the "trees" within them were used in imaginative ways to mediate England's resource crisis.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Illustrations Acknowledgements Prologue: Evergreen Fantasies: Utopia’s Trees and Early Modern Theatre Introduction: Wood, Timber, and Theatre in Early Modern England Chapter 1: “Vanish the tree”: Friar Bacon and Friar Bungay at the Rose Chapter 2: “Come, will this wood take fire?” The Merry Wives of Windsor in Shakespeare’s Theatres Chapter 3: “Down with these branches and these loathsome boughs / Of this unfortunate and fatal pine”: The Composite Spanish Tragedy at the Fortune Chapter 4: “There’s wood enough within”: The Tempest’s Logs and The Resources of Shakespeare’s Globe Epilogue: The Afterlives of the Globe Notes Bibliography Index
Illustrations Acknowledgements Prologue: Evergreen Fantasies: Utopia’s Trees and Early Modern Theatre Introduction: Wood, Timber, and Theatre in Early Modern England Chapter 1: “Vanish the tree”: Friar Bacon and Friar Bungay at the Rose Chapter 2: “Come, will this wood take fire?” The Merry Wives of Windsor in Shakespeare’s Theatres Chapter 3: “Down with these branches and these loathsome boughs / Of this unfortunate and fatal pine”: The Composite Spanish Tragedy at the Fortune Chapter 4: “There’s wood enough within”: The Tempest’s Logs and The Resources of Shakespeare’s Globe Epilogue: The Afterlives of the Globe Notes Bibliography Index
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