New essays by noted authorities on music and related arts in early modern Italy, giving special attention to musical sources, poetry, performance, and visual arts.
New essays by noted authorities on music and related arts in early modern Italy, giving special attention to musical sources, poetry, performance, and visual arts.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Maria Cavalli, Copyist and Teacher Jennifer Williams Brown Il ritorno di Poppea: A New German Source Provokes Some New Thoughts and Old Arguments Alan Curtis An Unreported Mantuan Libretto from 1623 Gary Tomlinson The Triumph of Inconstancy: The Vicissitudes of a Seventeenth Century Libretto Beth Glixon and Jonathan E. Glixon A Letter on Benedetto Ferrari, "Eccellentissimo sonator di tiorba" Dinko Fabris Recordings of Music Written for St. Mark's: An Architectural Historian's View Deborah Howard The Twenty Two Steps: Clef Anomalies or "Basso alla bastarda" in Mid Seventeenth Century Italian Opera Alvaro Torrente "Indarno chiedi": Clorinda and the Interpretation of Monteverdi's Combattimento Suzanne G. Cusick The Veil, the Mask, and the Eunuch: Sight, Sound, and Imperial Erotics in L'incoronazione di Poppea Wendy Heller Baciami, Claudio: Psychological Depth and Carnal Desire in the Marino Settings of Monteverdi's Book Seven Andrew H. Weaver Powerless Spirit: Echo on the Musical Stage of the Late Renaissance Barbara Russano Hanning Excavating Virgil in Counter Reformation Rome: Domenico Mazzocchi's Dialoghi Based on the Aeneid Susan Parker Shimp Music as a Fonte della varietà: Sforza Pallavicino on the Aria 233Robert R. Holzer Robert R. Holzer Giambattista Marino's Operatic Aesthetics Giuseppe Mazzotta Strophic Form in the Canzonettas of Orazio Vecchi, Luca Marenzio, and Claudio Monteverdi Ruth I. DeFord Cantar ottave, cantar storie Margaret Murata Dramatizing Discourse in Seventeenth Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649) Mauro Calcagno Incitamentum amoris musica [picta] Prof David Rosand Selected Bibliography List of Contributors Index
Maria Cavalli, Copyist and Teacher Jennifer Williams Brown Il ritorno di Poppea: A New German Source Provokes Some New Thoughts and Old Arguments Alan Curtis An Unreported Mantuan Libretto from 1623 Gary Tomlinson The Triumph of Inconstancy: The Vicissitudes of a Seventeenth Century Libretto Beth Glixon and Jonathan E. Glixon A Letter on Benedetto Ferrari, "Eccellentissimo sonator di tiorba" Dinko Fabris Recordings of Music Written for St. Mark's: An Architectural Historian's View Deborah Howard The Twenty Two Steps: Clef Anomalies or "Basso alla bastarda" in Mid Seventeenth Century Italian Opera Alvaro Torrente "Indarno chiedi": Clorinda and the Interpretation of Monteverdi's Combattimento Suzanne G. Cusick The Veil, the Mask, and the Eunuch: Sight, Sound, and Imperial Erotics in L'incoronazione di Poppea Wendy Heller Baciami, Claudio: Psychological Depth and Carnal Desire in the Marino Settings of Monteverdi's Book Seven Andrew H. Weaver Powerless Spirit: Echo on the Musical Stage of the Late Renaissance Barbara Russano Hanning Excavating Virgil in Counter Reformation Rome: Domenico Mazzocchi's Dialoghi Based on the Aeneid Susan Parker Shimp Music as a Fonte della varietà: Sforza Pallavicino on the Aria 233Robert R. Holzer Robert R. Holzer Giambattista Marino's Operatic Aesthetics Giuseppe Mazzotta Strophic Form in the Canzonettas of Orazio Vecchi, Luca Marenzio, and Claudio Monteverdi Ruth I. DeFord Cantar ottave, cantar storie Margaret Murata Dramatizing Discourse in Seventeenth Century Opera: Music as Illocutionary Force in Francesco Cavalli's Giasone (1649) Mauro Calcagno Incitamentum amoris musica [picta] Prof David Rosand Selected Bibliography List of Contributors Index
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