Word, Image, and the New Negro marks the beginning of a long-overdue recovery of this legacy and points the way to a greater understanding of the potential of texts to influence social change.
Word, Image, and the New Negro marks the beginning of a long-overdue recovery of this legacy and points the way to a greater understanding of the potential of texts to influence social change.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Anne Elizabeth Carroll is Associate Professor of English at Wichita State University.
Inhaltsangabe
Contents List of Illustrations Introduction: Texts, Ideas, and Identities 1. Protest and Affirmation: Composite Texts in The Crisis 2. Objectivity and Social Change: Essays and News Stories in Opportunity 3. The Arts as a Social Tool: Mixing Media in The Crisis and Opportunity 4. Survey Graphic's Harlem Issue: Defining the New Negro as American 5. Collective Identity in the Anthology: Representing the Race in The New Negro 6. The Importance of Multiple Identities: Fire!! as an Avant-garde Arts Magazine Conclusion: The Evolving Portrait Notes Works Cited Index
Contents List of Illustrations Introduction: Texts, Ideas, and Identities 1. Protest and Affirmation: Composite Texts in The Crisis 2. Objectivity and Social Change: Essays and News Stories in Opportunity 3. The Arts as a Social Tool: Mixing Media in The Crisis and Opportunity 4. Survey Graphic's Harlem Issue: Defining the New Negro as American 5. Collective Identity in the Anthology: Representing the Race in The New Negro 6. The Importance of Multiple Identities: Fire!! as an Avant-garde Arts Magazine Conclusion: The Evolving Portrait Notes Works Cited Index
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