Words and Notes in the Long Nineteenth Century
Herausgeber: Weliver, Phyllis; Ellis, Katharine
Words and Notes in the Long Nineteenth Century
Herausgeber: Weliver, Phyllis; Ellis, Katharine
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A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.
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A new wave of scholarship inspired by the ways the writers and musicians of the long nineteenth century themselves approached the relationship between music and words.
Produktdetails
- Produktdetails
- Verlag: Boydell & Brewer
- Seitenzahl: 268
- Erscheinungstermin: 15. August 2013
- Englisch
- Abmessung: 239mm x 160mm x 20mm
- Gewicht: 599g
- ISBN-13: 9781843838111
- ISBN-10: 1843838117
- Artikelnr.: 36471900
- Verlag: Boydell & Brewer
- Seitenzahl: 268
- Erscheinungstermin: 15. August 2013
- Englisch
- Abmessung: 239mm x 160mm x 20mm
- Gewicht: 599g
- ISBN-13: 9781843838111
- ISBN-10: 1843838117
- Artikelnr.: 36471900
Phyllis Weliver, Katharine Ellis
Introduction: Approaches to Word
Music Studies of the Long Nineteenth Century
Phyllis Weliver and Katharine Ellis Losing Sense, Making Music: What Erik Satie's Music and Poetry do for Each Other
Peter Dayan Not Listening in Paris: Critical and Fictional Lapses of Attention at the Opera
Cormac Newark New Expectations: How to Listen to Sonata Form, 1800
1860
Jon
Tomas Godin The Science of Musical Memory: Vernon Lee and the Remembrance of Sounds Past
Shafquat Towheed Musical Listening in The Mysteries of Udolpho
Noelle Chao Katherine Mansfield and Nineteenth
Century Musicality
Delia da Sousa Correa E.T.A. Hoffmann Beyond the 'Paradigm Shift': Music and Irony in the Novellas 1815
1819
Fiction as Musical Critique: Virginia Woolf, The Voyage Out and the Case of Wagner
Emma Sutton Théodore de Banville and the Mysteries of Song
David Evans Performing Poetry as Music: How Composers Accept Baudelaire's Invitation to Song
Helen Abbott The Grit in the Oyster, or How to Quarrel with a Poet
Susan Youens Afterword: Wording Notes: Musical Marginalia in the Guise of an Afterword
Annegret Fauser
Music Studies of the Long Nineteenth Century
Phyllis Weliver and Katharine Ellis Losing Sense, Making Music: What Erik Satie's Music and Poetry do for Each Other
Peter Dayan Not Listening in Paris: Critical and Fictional Lapses of Attention at the Opera
Cormac Newark New Expectations: How to Listen to Sonata Form, 1800
1860
Jon
Tomas Godin The Science of Musical Memory: Vernon Lee and the Remembrance of Sounds Past
Shafquat Towheed Musical Listening in The Mysteries of Udolpho
Noelle Chao Katherine Mansfield and Nineteenth
Century Musicality
Delia da Sousa Correa E.T.A. Hoffmann Beyond the 'Paradigm Shift': Music and Irony in the Novellas 1815
1819
Fiction as Musical Critique: Virginia Woolf, The Voyage Out and the Case of Wagner
Emma Sutton Théodore de Banville and the Mysteries of Song
David Evans Performing Poetry as Music: How Composers Accept Baudelaire's Invitation to Song
Helen Abbott The Grit in the Oyster, or How to Quarrel with a Poet
Susan Youens Afterword: Wording Notes: Musical Marginalia in the Guise of an Afterword
Annegret Fauser
Introduction: Approaches to Word
Music Studies of the Long Nineteenth Century
Phyllis Weliver and Katharine Ellis Losing Sense, Making Music: What Erik Satie's Music and Poetry do for Each Other
Peter Dayan Not Listening in Paris: Critical and Fictional Lapses of Attention at the Opera
Cormac Newark New Expectations: How to Listen to Sonata Form, 1800
1860
Jon
Tomas Godin The Science of Musical Memory: Vernon Lee and the Remembrance of Sounds Past
Shafquat Towheed Musical Listening in The Mysteries of Udolpho
Noelle Chao Katherine Mansfield and Nineteenth
Century Musicality
Delia da Sousa Correa E.T.A. Hoffmann Beyond the 'Paradigm Shift': Music and Irony in the Novellas 1815
1819
Fiction as Musical Critique: Virginia Woolf, The Voyage Out and the Case of Wagner
Emma Sutton Théodore de Banville and the Mysteries of Song
David Evans Performing Poetry as Music: How Composers Accept Baudelaire's Invitation to Song
Helen Abbott The Grit in the Oyster, or How to Quarrel with a Poet
Susan Youens Afterword: Wording Notes: Musical Marginalia in the Guise of an Afterword
Annegret Fauser
Music Studies of the Long Nineteenth Century
Phyllis Weliver and Katharine Ellis Losing Sense, Making Music: What Erik Satie's Music and Poetry do for Each Other
Peter Dayan Not Listening in Paris: Critical and Fictional Lapses of Attention at the Opera
Cormac Newark New Expectations: How to Listen to Sonata Form, 1800
1860
Jon
Tomas Godin The Science of Musical Memory: Vernon Lee and the Remembrance of Sounds Past
Shafquat Towheed Musical Listening in The Mysteries of Udolpho
Noelle Chao Katherine Mansfield and Nineteenth
Century Musicality
Delia da Sousa Correa E.T.A. Hoffmann Beyond the 'Paradigm Shift': Music and Irony in the Novellas 1815
1819
Fiction as Musical Critique: Virginia Woolf, The Voyage Out and the Case of Wagner
Emma Sutton Théodore de Banville and the Mysteries of Song
David Evans Performing Poetry as Music: How Composers Accept Baudelaire's Invitation to Song
Helen Abbott The Grit in the Oyster, or How to Quarrel with a Poet
Susan Youens Afterword: Wording Notes: Musical Marginalia in the Guise of an Afterword
Annegret Fauser