This book explores those moments of repetition, placing them in the early nineteenth century context from which they emerged, and teasing out through extended close attention to the poetry itself the complexities of repetition and recapitulation.
This book explores those moments of repetition, placing them in the early nineteenth century context from which they emerged, and teasing out through extended close attention to the poetry itself the complexities of repetition and recapitulation.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Sarah Houghton-Walker began her career as a Fellow of St John's College, Cambridge, and has been a Fellow at Gonville and Caius College since 2007. She has published on a range of Romantic-period writers, and is also a founder and Co-Director of the Centre for John Clare Studies, based in the Cambridge University Faculty of English.
Inhaltsangabe
PART I: Introductory: Repetition in the Romantic Period 1: The Sense and the Sound of Repetition in Romantic-Period Poetry 2: The Workings of Repetition in Romantic-Period Poetry 3: Contexts for Repetition in the Romantic Period PART II: Wordsworthian Recapitulation 4: Repetition and Conjunction: the quiet work of and and or 5: Conjunction, Expansion, and Sublimity 6: Conjunctions, Repetition, and Revision 7: Connection, Recognition, and Return 8: 'The Thorn', Tautology, and Tragic Repetition 9: Crafted Repetition 10: Resounding Voices, Habitual Haunts: Recapitulation, Specifics, and Generals 11: Echo and Response 12: Coleridge and Repetition: A Comparative Case 13: Conclusion: Recapitulation and Sincerity Bibliography
PART I: Introductory: Repetition in the Romantic Period 1: The Sense and the Sound of Repetition in Romantic-Period Poetry 2: The Workings of Repetition in Romantic-Period Poetry 3: Contexts for Repetition in the Romantic Period PART II: Wordsworthian Recapitulation 4: Repetition and Conjunction: the quiet work of and and or 5: Conjunction, Expansion, and Sublimity 6: Conjunctions, Repetition, and Revision 7: Connection, Recognition, and Return 8: 'The Thorn', Tautology, and Tragic Repetition 9: Crafted Repetition 10: Resounding Voices, Habitual Haunts: Recapitulation, Specifics, and Generals 11: Echo and Response 12: Coleridge and Repetition: A Comparative Case 13: Conclusion: Recapitulation and Sincerity Bibliography
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