Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is.
Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
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Autorenporträt
Peter Lamarque is Professor of Philosophy at the University of York. He joined the Department of Philosophy in 2000. Prior to that, he was Ferens Professor of Philosophy at the University of Hull and Head of the Philosophy Department between 1995 and 2000. He was a lecturer and then senior lecturer at the University of Stirling between 1972 and 1995. From 1995 to 2008 he was Editor of the British Journal of Aesthetics.
Inhaltsangabe
Preface 1: Introduction 2: On Bringing a Work into Existence 3: Work and Object 4: Distinctness and Indiscernibility in the Allographic Arts 5: Aesthetic Essentialism 6: Aesthetic Empiricism 7: Imitating Style 8: Objects of Interpretation 9: How to Create a Fictional Character 10: Art, Ontology and the End of Nausea 11: On Perceiving Conceptual Art
Preface 1: Introduction 2: On Bringing a Work into Existence 3: Work and Object 4: Distinctness and Indiscernibility in the Allographic Arts 5: Aesthetic Essentialism 6: Aesthetic Empiricism 7: Imitating Style 8: Objects of Interpretation 9: How to Create a Fictional Character 10: Art, Ontology and the End of Nausea 11: On Perceiving Conceptual Art
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