Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is.
Peter Lamarque explores metaphysical aspects of works of art, looking at their status as cultural artefacts, their distinctive kinds of properties, their relation to interpretation, their style. He reaches surprising conclusions about the identity conditions of works and about the difference between what a work seems to be and what it really is.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
Peter Lamarque is Professor of Philosophy at the University of York, UK. His many publications include Work and Object: Explorations in the Metaphysics of Art (OUP, 2010), The Philosophy of Literature (Wiley-Blackwell, 2008), Fictional Points of View (Cornell University Press, 1996), and Truth, Fiction and Literature: A Philosophical Perspective (with Stein Haugom Olsen, Clarendon Press, 1994). He was Editor of the British Journal of Aesthetics from 1995 to 2008.
Inhaltsangabe
Preface 1: Introduction 2: On Bringing a Work into Existence 3: Work and Object 4: Distinctness and Indiscernibility in the Allographic Arts 5: Aesthetic Essentialism 6: Aesthetic Empiricism 7: Imitating Style 8: Objects of Interpretation 9: How to Create a Fictional Character 10: Art, Ontology and the End of Nausea 11: On Perceiving Conceptual Art
Preface 1: Introduction 2: On Bringing a Work into Existence 3: Work and Object 4: Distinctness and Indiscernibility in the Allographic Arts 5: Aesthetic Essentialism 6: Aesthetic Empiricism 7: Imitating Style 8: Objects of Interpretation 9: How to Create a Fictional Character 10: Art, Ontology and the End of Nausea 11: On Perceiving Conceptual Art
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