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In un'epoca in cui il sensazionalismo la fa da padrone e di come questo costituisca una cartina di tornasole della tendenza sociale imperante, concepire l'arte come mezzo espressivo - nell'accezione più pura del termine - al servizio del sociale, diventa quasi una sorta di anacronismo dal quale rifuggire, in quanto le logiche dominanti, proprie alla società dello spettacolo, giocoforza, trovano terreno fertile anche (o, soprattutto) nell'arte.