Elspeth H. Brown is Associate Professor of History at the University of Toronto, coeditor of Feeling Photography, also published by Duke University Press, and author of The Corporate Eye: Photography and the Rationalization of American Commercial Culture, 1884–1929.
Elspeth H. Brown is Associate Professor of History at the University of Toronto, coeditor of Feeling Photography, also published by Duke University Press, and author of The Corporate Eye: Photography and the Rationalization of American Commercial Culture, 1884–1929.
Elspeth H. Brown is Associate Professor of History at the University of Toronto, coeditor of Feeling Photography, also published by Duke University Press, and author of The Corporate Eye: Photography and the Rationalization of American Commercial Culture, 1884–1929.
Inhaltsangabe
Acknowledgments ix Illustrations xiii Introduction 1 1. From the Artist's Model to the Photographic Model: Containing Sexuality in the Early Twentieth Century 25 2. Race, Sexuality, and the 1920s Stage Model 69 3. Queering Interwar Fashion: Photographers, Models, and the Queer Production of the "Look" 103 4. Black Models and the Invention of the US: "Negro Market," 1945-1960 163 5. "You've Got to Be Real": Constructing Femininity in the Long 1970s 211 Epilogue 271 Notes 277 Bibliography 313 Index 337
Acknowledgments ix Illustrations xiii Introduction 1 1. From the Artist's Model to the Photographic Model: Containing Sexuality in the Early Twentieth Century 25 2. Race, Sexuality, and the 1920s Stage Model 69 3. Queering Interwar Fashion: Photographers, Models, and the Queer Production of the "Look" 103 4. Black Models and the Invention of the US: "Negro Market," 1945-1960 163 5. "You've Got to Be Real": Constructing Femininity in the Long 1970s 211 Epilogue 271 Notes 277 Bibliography 313 Index 337
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