Examines some of the most important performance in Britain and Northern Ireland from the mid-1980s into the new millennium. In a timely new critical approach, it considers contemporary British theatre in relation to national and supranational identities, concepts such as globalistion and diaspora, New Labour, devolution and European unification. -- .
Examines some of the most important performance in Britain and Northern Ireland from the mid-1980s into the new millennium. In a timely new critical approach, it considers contemporary British theatre in relation to national and supranational identities, concepts such as globalistion and diaspora, New Labour, devolution and European unification. -- .
Susan Barton is a Research Fellow at de Montfort University.
Inhaltsangabe
Introduction 1. No Grand Tours - tourism before 1850 2. Workers and the Great Exhibition - the origins of the package holiday 3. Holidays without pay 4. Collective bargaining for holidays with pay 5. Accommodation for working class visitors 6. Holidays and the state - planning for workers' needs after the Holidays with Pay Act 7. Brits abroad Conclusion Bibliography Index
Introduction 1. No Grand Tours - tourism before 1850 2. Workers and the Great Exhibition - the origins of the package holiday 3. Holidays without pay 4. Collective bargaining for holidays with pay 5. Accommodation for working class visitors 6. Holidays and the state - planning for workers' needs after the Holidays with Pay Act 7. Brits abroad Conclusion Bibliography Index
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