"A brilliant, innovative study of camp that exceeds the terms in which this topic traditionally has been conceived. The result is a reformulation of camp as queer industrial labor, from the perspective of the production as well as the reception of that work. Anyone working on camp will hereafter have to reckon with this book."--Steven Cohan, author of "Masked Men: Masculinity and the Movies in the Fifties"
"A brilliant, innovative study of camp that exceeds the terms in which this topic traditionally has been conceived. The result is a reformulation of camp as queer industrial labor, from the perspective of the production as well as the reception of that work. Anyone working on camp will hereafter have to reckon with this book."--Steven Cohan, author of "Masked Men: Masculinity and the Movies in the Fifties"
Matthew Tinkcom is Assistant Professor of English and of Communication, Culture, and Technology at Georgetown University.
Inhaltsangabe
Acknowledgments Introduction 1. Working like a Homosexual: Vincente Minnelli in the Metro-Goldwyn-Mayer Freed Unit 2. Andy Warhol and the Crises of Value's Appearances 3. "A Physical Relation between Physical Things": The World of the Commodity according to Kenneth Anger 4. "Beyond the Critics' Reach": John Waters and the Trash Aesthetic Afterword Notes Bibliography Index
Acknowledgments Introduction 1. Working like a Homosexual: Vincente Minnelli in the Metro-Goldwyn-Mayer Freed Unit 2. Andy Warhol and the Crises of Value's Appearances 3. "A Physical Relation between Physical Things": The World of the Commodity according to Kenneth Anger 4. "Beyond the Critics' Reach": John Waters and the Trash Aesthetic Afterword Notes Bibliography Index
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