Through intensive fieldwork lasting over eighteen months, this book demonstrates that the stand-up comedy venue is a dynamic space where social actors contest and reproduce dominant understandings of race, class, and gender in ways that transcend the joke-work performed on stage.
Through intensive fieldwork lasting over eighteen months, this book demonstrates that the stand-up comedy venue is a dynamic space where social actors contest and reproduce dominant understandings of race, class, and gender in ways that transcend the joke-work performed on stage.Hinweis: Dieser Artikel kann nur an eine deutsche Lieferadresse ausgeliefert werden.
James M. Thomas is an Assistant Professor in the Department of Sociology and Anthropology at the University of Mississippi. His research has been featured in international, peer-reviewed journals including Ethnic and Racial Studies, Ethnicities, and Ethnography. His first monograph is entitled Working to Laugh: Assembling Race and Heteronormativity in an American Stand-Up Comedy Club (Lexington, 2014)
Inhaltsangabe
Table of Contents Acknowledgments Chapter 1: Introduction Chapter 2: Into the Field: The Comedy Kitchen and Helter Skelter Chapter 3: Affective Labor and The Comedy Kitchen Chapter 4: Affective Labor and Helter Skelter Chapter 5: Assembling Order in Stand-Up Comedy Chapter 6: Stand-Up Comedy, Urban Nightlife, and Affective-Cultural Assemblages Chapter 7: Coda - Soleil Chapter 8: Conclusion Appendix A: Methodology Bibliography