Words and images can harmonize to clarify meaning in a variety of texts. This interdisciplinary work presents practitioners, researchers, creative artists, and teachers discussing how we process and develop meaning from words and images. This study is especially important for writers and designers working in electronic communication environments, where the marriage of words and images challenges traditional training. Ranging from theory to practice, chapters examine both cognitive issues and aesthetic concerns. This book explores topics such as:^L^DBLHuman processing of images and text^DBLThe…mehr
Words and images can harmonize to clarify meaning in a variety of texts. This interdisciplinary work presents practitioners, researchers, creative artists, and teachers discussing how we process and develop meaning from words and images. This study is especially important for writers and designers working in electronic communication environments, where the marriage of words and images challenges traditional training. Ranging from theory to practice, chapters examine both cognitive issues and aesthetic concerns. This book explores topics such as:^L^DBLHuman processing of images and text^DBLThe roles of written language in project development in the arts^DBLUses of images and visual thinking by writers^DBLHow the ways in which words and images convey meaning can be both different and complementary^LProfessionals, teachers, and students will be understand more effective uses of text and visual displays, and today's writer or designer will learn to clarify complex ideas by controlling the intersections of words and images.
Nancy Kelly Allen's route to award-winning writing has more twists and turns than a winding mountain road. She worked as a social worker and elementary school teacher. When Nancy changed career paths to become a school librarian, the route led her straight to the world of writing. She has penned more than fifty children's books, including the picture book, Cowboy Jesse. She has two master's degrees, Education and Library Science. Nancy and her husband, Larry, live in the log house in which she grew up, and they share their home with two canine writing assistants, Jazi and Roxi.
Inhaltsangabe
Introduction: Relationships between Words and Images: A Brief Overview by Nancy Allen From Media to Meaning: Perception, Interpretation, and Learning The Indexical Hypothesis: Meaning from Language, World, and Image by Arthur M. Glenberg The Ransom Note Fallacy and Acquisition of Typographic Emphasis by James Kalmbach Some Ways That Graphics Communicate by Barbara Tversky Being Visual, Visual Beings by Richard Johnson-Sheehan Image, Word, and Future Text: Visual and Verbal Thinking in Writing Instruction by Ronald Fortune Mixing Media in the Arts and Professions: Design and Performance Telling Our Stories in Pictures: Case History of a Photo Essay by Nancy Allen Astronomical Rhetoric: 19th-Century Photographs as Models of Meaning by Gregory Wickliff Two-Dimensional Features in Text: How Print Technology Has Preserved Linearity by Barry Pegg The Concrete Word: Text and Image in the Theater by Lisa Brock The Way of the Sorcerer: Etiology of Two Images from a Lost Graphic Novel by Heinz Insu Fenkl and Mike Dringenberg Visual and Verbal Features in Electronic Spaces: New Visions for Transformed Contexts The Digital Design Revolution by Jonathan Allen and Greg Simmons Articulating (Re)Visions of the Web: Exploring Links among Corporate and Academic Web Sites by Amy Kimme Hea Reading PowerPoint by Rich Gold Mixing Oil and Water: Writing, Design, and the New Technology by Neil Kleinman Afterword: Experiments with Image and Word Exercises and Experiments for the Workbench by Neil Kleinman
Introduction: Relationships between Words and Images: A Brief Overview by Nancy Allen From Media to Meaning: Perception, Interpretation, and Learning The Indexical Hypothesis: Meaning from Language, World, and Image by Arthur M. Glenberg The Ransom Note Fallacy and Acquisition of Typographic Emphasis by James Kalmbach Some Ways That Graphics Communicate by Barbara Tversky Being Visual, Visual Beings by Richard Johnson-Sheehan Image, Word, and Future Text: Visual and Verbal Thinking in Writing Instruction by Ronald Fortune Mixing Media in the Arts and Professions: Design and Performance Telling Our Stories in Pictures: Case History of a Photo Essay by Nancy Allen Astronomical Rhetoric: 19th-Century Photographs as Models of Meaning by Gregory Wickliff Two-Dimensional Features in Text: How Print Technology Has Preserved Linearity by Barry Pegg The Concrete Word: Text and Image in the Theater by Lisa Brock The Way of the Sorcerer: Etiology of Two Images from a Lost Graphic Novel by Heinz Insu Fenkl and Mike Dringenberg Visual and Verbal Features in Electronic Spaces: New Visions for Transformed Contexts The Digital Design Revolution by Jonathan Allen and Greg Simmons Articulating (Re)Visions of the Web: Exploring Links among Corporate and Academic Web Sites by Amy Kimme Hea Reading PowerPoint by Rich Gold Mixing Oil and Water: Writing, Design, and the New Technology by Neil Kleinman Afterword: Experiments with Image and Word Exercises and Experiments for the Workbench by Neil Kleinman
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