This book examines working women in realistic and naturalistic literature. By addressing intersecting issues of race and class and including a study of domestic work, it contributes to the fields of multiculturalism, feminism, and working-class studies and to the increasing research interests in these areas.
This book examines working women in realistic and naturalistic literature. By addressing intersecting issues of race and class and including a study of domestic work, it contributes to the fields of multiculturalism, feminism, and working-class studies and to the increasing research interests in these areas.
Miriam S. Gogol is professor of English at Mercy College.
Inhaltsangabe
Introduction by Miriam S. Gogol Part I: Naturalism and the Working Woman "The Female Domestic in Naturalistic Fiction " by Miriam S. Gogol "Sister Carrie Fashion and the Working Woman in American Realism " by Irene Gammel Part II: The "New Woman" "Women Doctors in Henry James and William Dean Howells " by Lara Hubel "Women Work and Cross-Class Alliances in the Fiction of Charlotte Perkins Gilman" by Nancy Von Rosk "Naturalism and the New Woman in Ellen Glasgow's Barren Ground: "How Hard She Had Worked!" by Jessica Schubert McCarthy Part III: Race Sex and Class "Work race and the performance of gender in Ann Petry's The Street" by Jochem Riesthuis Part IV: Working Women in Drama and Film "Feminism Sentimentality and Realism in Rachel Crothers' Working-Women Plays" by Anna Andes "Career Women in 1940s Cinema: The Heroine as Executive Editor " by Pedro Ponce
Introduction by Miriam S. Gogol Part I: Naturalism and the Working Woman "The Female Domestic in Naturalistic Fiction " by Miriam S. Gogol "Sister Carrie Fashion and the Working Woman in American Realism " by Irene Gammel Part II: The "New Woman" "Women Doctors in Henry James and William Dean Howells " by Lara Hubel "Women Work and Cross-Class Alliances in the Fiction of Charlotte Perkins Gilman" by Nancy Von Rosk "Naturalism and the New Woman in Ellen Glasgow's Barren Ground: "How Hard She Had Worked!" by Jessica Schubert McCarthy Part III: Race Sex and Class "Work race and the performance of gender in Ann Petry's The Street" by Jochem Riesthuis Part IV: Working Women in Drama and Film "Feminism Sentimentality and Realism in Rachel Crothers' Working-Women Plays" by Anna Andes "Career Women in 1940s Cinema: The Heroine as Executive Editor " by Pedro Ponce
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